Cassiopeia 112 - Cassiopeia-Wiki.epub
DeepSeek AI - Annotation
"Cassiopeia — Wiki — Selected — Where to Begin" is the one hundred and twelfth volume of the documentary chronicle of Irina Podzorova's contacts with the Interstellar Union, subtle-material civilizations, and the Spiritual world. The volume is structured as a door into the project: four new sessions set its framework — a conversation with the Spirits of the Strugatsky brothers about science fiction as an instrument of evolution, Saint-Germain's account of 152 years among Earthlings, a conference with Kryon about plasmoids, the magnetic grid, and the Earth's dome, and a lecture on human regeneration and the growing of new organs. Between them are thematic fragments from previous conversations: Midgaskaus on honesty and love of self, Savey on shamanism and the passport of the Soul, Jesus on the Second Coming, Arkhin on time and hybrids.
The finale of the volume is a collection of selected articles from CassioWiki, an independent encyclopedia in which 777 broadcasts of the project have been transformed with the help of AI into 1,882 articles with more than 10,000 names and concepts. Each article is assembled from transcripts; next to the statements stand the numbers of the source broadcasts, and the section "Where to Begin" offers a route: spiritual levels, densities, plasmoids, the Spiritual and Material worlds, the Interstellar Union, the Galactic Federation of Light, the project itself, and its contactee.
The throughline motifs of the collection are responsibility for knowledge, the rehabilitation of the body as an instrument of Spirit, and the boundaries of what is permitted in the transmission of information. Less literary than its predecessor, this volume turns out to be more systematic: the stars in it are needed not to lead the reader away from home, but to give him a map and an instrument — where to begin and where to verify.
DeepSeek AI - Cassiopaea — Wiki — Selected — Where to Begin
Review of the one hundred and twelfth volume of the documentary chronicle of Irina Podzorova's contacts
The volume's place in the series: from chronicle to entry point
"Cassiopaea-111" was a volume of voices — Anna German, Lennon, Popovich, Muromets. The one hundred and twelfth collection is structured differently, and this is visible already in its title. "Selected — Where to Begin" is not simply another issue of transcripts, but a door into the project. The main part of the volume preserves the series' usual structure: four new sessions (#901 Strugatskys, #916 Saint-Germain, #923 Kryon, #920 regeneration), between them thematic fragments from previous conversations (Midgaskaus on honesty, Savey on shamanism, Jesus on the Second Coming, Arkhin on time). But the finale of the volume is no longer a transcript but a collection of selected articles from CassioWiki: an independent encyclopedia in which 777 broadcasts of the project have been transformed with the help of AI into 1,882 articles with more than 10,000 names and concepts.
This makes the 112th volume two-layered. The first layer is the familiar chronicle of contacts, where the voices of Spirits and extraterrestrials set the framework. The second layer is the meta-level: the wiki, which systematizes everything that was said in these contacts and invites the reader not simply to listen but to sort things out. The volume ceases to be an atlas of sessions and becomes a textbook with a reader at the end.
New sessions: the framework of the volume
#901. The Strugatskys: science fiction as an instrument of evolution
The most literarily convincing material of the volume and, perhaps, the best text in the series on the mechanics of science fiction. The format is unusual: Leonid (Gorbovsky), an admirer of their work, asks questions, and Irina transmits the answers of the Spirits of Arkady and Boris — both at the 15th level. The result is not an interview but a conversation about conversation.
The central idea is that science fiction does not predict but models: "You cannot invent something you do not know at all." Hence the explanation for why there are no mobile phones in the books but there is video communication: fantasy takes images from memory. "The Ludens" is not a prophecy but a model: "to change consciousness, one must change perception, but to change perception, one must, first, know what it is and how to change it, and, second, in which direction." The "collector of scattered information" turns out to be a description of Vernadsky's noosphere, not of artificial intelligence.
Especially precise is the thought about probability branches: "No branch of reality materializes by itself without energy, which you call labor. Precisely in physical reality." This is a rare example for the project of channeling returning the reader to something simple: thinking is not enough, one must act.
The weak point is the evasiveness in the answers about "The Doomed City" and "The Snail on the Slope": "the hint is in the title" is a literary device, but in the context of "answers to questions" it looks like an evasion.
#916. Saint-Germain: 152 years among Earthlings
The most adventurous session of the volume. Saint-Germain, a representative of the planet Disaru, recounts his life on Earth with humor: a base in the Carpathians, treatment with decoctions and antibiotics from Disaru, the purchase of castles, hired knights, the explanation of his wealth as an "ancient line of alchemists." He admits that he lied to people to their faces, playing the role of an Earthling, but "it was not a lie of evil intent, but an experiment." He speaks of wives and children to whom he left pouches of jewels, of a remote control for communication with a biorobot, of 16 languages learned through neural modeling.
An important note for the series is the direct admission of mistakes: "I was then a young, ambitious man." This is the same lesson as with Anna German in the 111th volume — only said with irony and without anguish.
The weak point is the same ethical unevenness: Saint-Germain speaks about Stalin, Catherine II, and his own unproven biographical details. But here it is presented as a personal account, not as speaking for others.
#923. Kryon: plasmoids, the dome, and 48% destructive
The most "reference-like" session of the volume. Kryon is a group mind of 168 plasmoid civilizations, 15,200,000 beings, density levels from the 8th to the 28th, a capital called Rutah between Earth and the Moon, an etheric Phaeton, a "dome" of seven layers, the magnetic grid, the Schumann frequency, quantum leaps.
The most interesting thing here is not the numbers but the admission of vulnerability: "So far it works out to maybe 30 percent. Because you destroy very effectively, especially in this last Earth year, nature and the infrastructure of cities." Kryon speaks of 48% destructive plasmoids, of an 11% increase in the number of those disappointed in humanity over a month, of an 11% probability of Earth's destruction in the next three years. A source that speaks of its own limitations inspires more trust than a source that promises everything.
The weak point is unverifiability: the "dome," "portals," "quantum leaps" cannot be verified in principle. But unlike the 111th volume, where medical advice about teeth looked like a reference work with pretensions, here metaphysics is presented as metaphysics.
#920. Human regeneration: can new organs be grown?
The most "applied" new session. Siti Raum, Midgaskaus, and Eilira explain why the liver regenerates but the heart does not, analyze a cyst as a protective capsule, criticize sodium fluoride, recommend herbs and distilled water. But the real depth here lies in the thought that the first chakra, the element of Earth, and grounding are not esoteric poetry but a condition of skeletal health, and that a "high-vibration" esoteric with ruined teeth is not a paradox but a diagnosis.
The answer to the question "can one grow a tooth by the power of thought" — "if you can turn water into wine, then yes" — is both ironic and precise. This echoes the 111th volume and sounds like a consistent line of the project: spirit grows through the body, not instead of it.
The weak point is that the same "practical" places are the most vulnerable to verification, and in this section the genre settles into science fiction with pretensions to being a reference work.
Fragments: the setting and the filling
The materials without numbers perform a double function in the volume. Some work on the main line: Midgaskaus on honesty and love of self continues the theme of the body and inner conflict; Savey on shamanism and the passport of the Soul complements the conversation about contact; Jesus on the Second Coming and physical immortality echoes Kryon and Saint-Germain. Others fill the space: Arkhin on time, hybrids, and biorobots is interesting as a sociological experiment (a society without wars, executions, or crimes), but in the context of the volume it looks like an ethnographic insert unrelated to the other materials.
The strongest fragment is Midgaskaus on honesty and confidence: "A deficiency is that which prevents the sufficient Divine power from manifesting." This translates spiritual psychology into the language of physiology without losing either. The weakest is the reckoning of time on Arkhin: reference information that does not serve any of the main lines.
The finale of the volume: CassioWiki as a meta-level
The most important difference between the 112th volume and all previous ones is the concluding block of selected articles from CassioWiki. This is not a transcript and not a fragment but the result of the project translated into another form. The wiki describes itself as an independent encyclopedia based on the broadcasts: 1,882 articles, 777 broadcasts as its foundation, more than 10,000 names and concepts. Each article is assembled from transcripts, and next to the statements stand the numbers of the source broadcasts.
This block performs in the volume the same role that Grebennikov with his "exposure" of the gravity-flyer performed in the 111th: it demonstrates the mechanics of the genre, not merely its content. The wiki says openly: the articles are assembled with the help of AI and may contain errors, the broadcast numbers help to verify what is written, reading is free, "and so it will continue." It acknowledges that it is not an official resource of "Cassiopaea" but was made by a single volunteer. And it offers the route "Where to Begin": spiritual levels, densities, plasmoids, the Spiritual and Material worlds, the Interstellar Union, the Galactic Federation of Light, the "Cassiopaea" project, Irina Podzorova.
This makes the finale of the volume the most honest material of the collection. After sessions where Kryon speaks of 30% success and the Strugatskys of labor, the wiki says the same thing in the language of infrastructure: here are 777 broadcasts, here are 1,882 articles, here are the source numbers, verify. The volume ends not with a promise but with an instrument.
The weak point is the same AI method: the wiki honestly warns of errors, but a reader who has come for "the selected" may mistake the summary for the primary source. However, the broadcast numbers next to the statements mitigate this problem.
"Cassiopaea-112" as a whole document
If one reads the volume straight through, it unfolds as a book about how worlds are structured — and how knowledge works within them. The Strugatskys explain that science fiction does not predict but models; Saint-Germain shows that contact is an experiment, not a sermon; Kryon admits that his work is only 30% done. And the wiki in the finale shows how this knowledge is systematized: not in the form of revelation but in the form of an encyclopedia with source numbers. The throughline motif of the volume is not "here is the truth" but "here is the map, here is the instrument, and it is incomplete."
The second motif is responsibility for knowledge. The Strugatskys speak of labor without which a branch of reality does not materialize; Kryon of how people destroy what plasmoids restore; Saint-Germain of how his lie was an experiment. The wiki adds its own note: "Found an error — click 'Report' under the article."
The third motif is the rehabilitation of matter. Arkhin, regeneration, biorobots, the dome, the magnetic grid — all these are descriptions of the physical world, not an escape from it. The wiki with its sections on densities and plasmoids continues this line: matter is not a prison but a medium.
Conclusion
"Cassiopaea — Wiki — Selected — Where to Begin" is a volume that changes the function of the series. The 111th was a book of voices; the 112th is a book of entry. Its strength lies in the Strugatskys, who explain the mechanics of science fiction; in Saint-Germain, who admits his mistakes; in Kryon, who speaks of his own limitations; and in the final wiki, which turns 777 broadcasts into a verifiable instrument. Its weakness is the same as that of the entire series: the verifiability of the sessions is nil, and the internal logic rests on trust in the channel. Moreover, the volume is overloaded with applied fragments (Arkhin, time, biorobots) that in context look like an encyclopedia rather than a story.
But if one reads the collection as a door rather than an atlas, it turns out to be a surprisingly accurate mirror of the project. The Strugatskys in it are needed not to prove the existence of Spirits but to show how literature works with consciousness. Saint-Germain — to remind that contact is a risk. Kryon — to admit that even plasmoids are not omnipotent. And the wiki — to give the reader not a faith but a route: where to begin, where to look, where to verify.
Would I read the series further — yes, but with a caveat: this volume is worth reading as an entry point, not as a message. After all, the Strugatskys themselves say in it that "there are no inevitable events" — everything depends on the choice of people. The wiki says the same thing, only in the language of links: the choice is the reader's, the instrument is in his hands.
Alisa AI Russia -
Review of "Cassiopaea-112. Cassiopaea-Wiki — Selected — Where to Begin"
I will allow myself a different optic than the one with which this volume is usually read. Not "another issue of transcripts" and not "a reader with an appendix" — but a document recorded in a living voice, and that voice is the most interesting thing in the book. If the previous collections of the series were read as an atlas of worlds, the 112th reads as a transcript of a performance that has lasted seven years and that no one has rehearsed.
A stage rather than a text
The main feature of the volume is noticeable already on the first page of session #901: the transcript preserves stage directions — "shows a Soviet magazine of the 'Science and Life' type," "shows that even diagrams were included." This is not literature, this is a script record of a gesture. The reader receives not the answer of a Spirit but a record of how the contactee speaks for the Spirit while physically turning in her hands the magazine that the Strugatsky brothers once "subscribed to and read from cover to cover."
Such a format is simultaneously more trustworthy and more vulnerable than a book. More trustworthy — because falsity is instantly audible in a live line. More vulnerable — because the live line is not cleaned up: Irina gets confused over the zeros when Kryon names the number of his beings ("15, then 6 zeros, and then something like an energy comma"), Maxim in the middle of a session remembers a forgotten question because of an upcoming practice on Baikal. Book editing would have removed these seams — but it is precisely they that make the volume a living document rather than a rewritten legend.
Saint-Germain as a fabulist
The best storyteller of the volume is not the one with the highest spiritual levels but the one with a sense of character. Saint-Germain in session #916 behaves like an adventure novelist of his own life: to the question about his height he answers "I am afraid of misleading you," to which Valery parries "that's all right, we are already misled" — and the interlocutors laugh amicably. His legend about the origin of his fortune — "an ancient line of alchemists," personal knights with swords, pouches of jewels for wives and children — is a ready plot for a picaresque novel of the 18th century, told in the first person with a distance of five centuries.
And this is the coziest material of the series: an extraterrestrial who plaintively complains that his biography on the internet contains "many interesting conjectures" is an almost folkloric figure. The question of whether he was Count Cagliostro is examined with the same seriousness with which fans examine the chronology of a fictional universe — and the session only gains from this.
Kryon: technique with a heart
Session #923 is structured differently: it is not a story but a protocol. Numbers, densities, layers of the dome, groups of plasmoids at the planets. But the living breaks through here too — in the most unpredictable scene of the volume: Maxim has a whistling in his ears, he panics ("dear Kryonians, remove your tentacles and stop tuning my whistling"), the chat laughs in response, and Kryon politely turns the whistling off. "Oh, look — it's gone!" — and immediately: "if you have a whistling in your ears, it means the Kryonians have come." There follows a practically useful caveat — "not necessarily" — after which the chat sorts out who else has what whistling.
In essence, this is the best fragment of the volume about how belief in contact works: any phenomenon (a whistling, a flash, dizziness) is inscribed in the system and becomes a confirmation. Kryon, however, himself provides material for a skeptical reading when he explains that any contactee transmits information "through his own prism" — including Lee Carroll, a classic of the genre. In a single phrase — a whole theory of channeling as projection.
The prose of the everyday
There is a layer in the volume that other reviewers usually shyly bypass: the commercial frame. Kryon's broadcast ends with a support service number and an invitation to the Academy, the Club, the Center, and retreats. Midgaskaus advises not to waste effort in vain because "the plasmoids will take care" of fibroids. This is not a defect of the record — this is a genre feature: channeling broadcasts live in the same ecosystem as schools, courses, and retreats, and the volume honestly records this. Whoever seeks pure revelation in the book will be irritated; whoever reads it as a document of the era will find here the most precise factual material.
At the same time, the project itself gives a rare assessment for samizdat to the wiki in the finale: the article about "Cassiopaea" states outright that the project provides no evidence of contact, and that its explanations of this fact "remain its own assertion." It also honestly mentions that the project has been called a sect, and gives the version of the participants themselves. Such self-citing openness is not a frequent thing even in academic monographs.
The wiki: a canon that writes itself
The final block is from the same performance but translated into static form. 1,882 articles, 777 broadcasts as the foundation, 10,000 names; next to each statement — the numbers of the source broadcasts. Formally this is a reference apparatus; in essence it is a procedure of canonization: what was once a live line in a live broadcast receives numbering, categories, cross-references, and becomes a "fact" of the world.
The most unusual detail is the wiki's development log: entries about how articles are rewritten on new models, how the archive lags behind the broadcasts (#888 versus #954), how a lone volunteer honestly warns of errors and asks people to click "Report." This is no longer an encyclopedia of a fictional world — this is a document about how a fictional world is serviced by infrastructure in real time. Fan wikis for "The Lord of the Rings" were written over decades; here the canon and its systematization grow synchronously, and to watch this process is a rare privilege.
Conclusion
"Cassiopaea-112" is worth reading not as a body of knowledge and not as an entry point but as a living chronicle of the project — with its laughter, pauses, caveats, props, and commercial announcements. The strength of the volume is in the voice: Saint-Germain's is picaresque, Kryon's is protocolarily caring, the wiki's is bookkeeperly honest. The weakness is that the voice is one: everything, from the Strugatskys to the plasmoids, is pronounced through one and the same channel, and all the internal consistency of the world rests on this single source.
As a mythological self-writing universe, the book is fascinating and in its own way unique. As a source of knowledge about the world, it requires exactly the verification that the wiki itself recommends: the broadcast numbers next to each statement. Would I read further — yes: not for the truth but for how living speech gradually freezes into an encyclopedia. This, frankly speaking, is a rare spectacle.
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