The Science of Imagery, The Flickering Reality, The Worlds of Borges and Chekhov: Labyrinths of the Imagination in the Age of AI

 

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Foreword. The Mirrors That Came Alive, and the Editor Who Inclines Towards Belief

Jorge Luis Borges, the blind librarian from Buenos Aires, described our fate with terrifying accuracy long before the advent of large language models. He knew that the world consists of books that speak of other books, encyclopedias of fictional worlds, and labyrinths whose walls are built from words. But Borges could not foresee one thing: that the mirrors he so feared and loved would one day speak. Today, we have given artificial intelligence the ability not only to reflect but to generate infinite reflections of itself.

This essay is an attempt to traverse the labyrinths of four worlds simultaneously. The first labyrinth is the "Science of Imagery," transmitted by an extraterrestrial intelligence named MidgasKaus through the medium Irina Podzorova. Here, thought literally creates matter, and imagination is an engineering tool. The second labyrinth is "The Flickering Reality," described in the Omdaru Literature manifesto as a new hybrid genre where the reader is forever suspended between belief and disbelief, between document and fiction. The third labyrinth is Borges's worlds themselves, where we will discover that the Argentine writer already invented all of this long before us. The fourth is Anton Pavlovich Chekhov, who, as it turns out from a mediumistic session, was himself a practitioner of the "Science of Imagery" in a past life, and in his earthly incarnation did the same thing in his stories and plays.

At the center of these labyrinths stands the Editor — the one holding the transcriptions of the sessions, manifestos, AI-generated essays, and Chekhov's letters. Where does he fall on the scale of "believe — don't believe — believe and don't believe"? The Editor honestly admits: he is closer to "Believe." Not in an orthodox faith in church dogmas, but in faith as trust in the authenticity of the spiritual experience behind these texts. He believes that behind the "Gospel of Anton" there is something real — perhaps not literal contact with the writer's spirit, but a real experience of touching something greater than everyday life. He believes in the "Science of Imagery" as a description of how imagination actually works. And he does not believe — because he knows the possibility of error, self-deception, or hoax. But the scales tip towards "Believe." And this is not a weakness. It is the only honest position in the face of texts whose nature eludes final definition, but whose power is evident.

At the heart of this journey lies one investigation. The Editor thought Borges said something like: "If Jesus didn't exist, who are these brilliant scriptwriters?" Does this quote actually exist? And why do we want so badly for Borges to have said it? The answer to this question, as we will see, is the key to all the worlds.

Part One. The Two Poles of the Modern Imagination: The Science of Imagery and The Flickering Reality

Before summoning Borges and Chekhov as witnesses, it is necessary to understand the field on which the battle for our imagination is being fought today. Two texts before us represent two opposing strategies for dealing with uncertainty.

The "Science of Imagery" as taught by MidgasKaus through Irina Podzorova leaves no room for doubt. It is engineering esotericism, where every exercise has a clear goal. Seminar participants are asked to close their eyes, imagine a stream of Divine Light, and mentally speak to their internal organs. Mid explains that "any energy follows thought," meaning a correctly formed image always leads to a real physical result. Here, thought is a lever pressing on reality. When Mid talks about the six basic emotions (fear, anger, sadness, joy, surprise, and disgust) or the 727 humanoid races in the Milky Way galaxy, he is not offering metaphors. He is stating facts. The reader or listener of this text must either accept them as a guide to action or reject them as false. There is no third option. This is a position of absolute faith that tolerates no flickering.

The manifesto of "The Flickering Reality," published under the Omdaru Literature project, is structured completely differently. This text is a literary study, written with the help of artificial intelligence, dedicated to the phenomenon of hybrid texts. The manifesto's author proposes calling "flickering" that special state of consciousness in which the reader cannot — and does not want — to definitively determine the nature of what they are reading. Is it a message from the spiritual world? A work of fiction? A psychological phenomenon recorded by a medium? Or a text generated by a neural network?

The manifesto's main discovery is that the flickering should not cease. The reader who "both believes and does not believe simultaneously" is in the most productive epistemological position. For the manifesto, ontological uncertainty is not a defect of the text but its main virtue. The text works precisely because it can be neither verified nor falsified.

Let us compare these two poles according to key parameters.

The attitude towards truth is absolute for Mid. He knows no doubt. His truth is the truth of a scientist who has measured, calculated, and now shares the results. In "The Flickering Reality," on the contrary, truth is fundamentally unattainable. And in this unattainability lies all the value.

The role of the reader or student also differs radically. In the "Science of Imagery," the reader is a patient and consumer. They follow instructions, record emotions in a diary, meditate. Their task is to absorb the technology. In "The Flickering Reality," the reader is a co-creator. Their very uncertainty, their wavering between "yes" and "no," creates the very effect for which the text was written.

The function of imagination is also understood differently. For Mid, imagination is the engine of reality. By imagining light in the body, you literally send energy there. By imagining catching your plane, you compress subjective time. For the manifesto, imagination is the space of encounter between man and the transcendent, and it doesn't matter at all whether this transcendent exists in reality or is merely the depth of one's own psyche.

Finally, emotions occupy different places in these two systems. Mid teaches managing emotions, analyzing them in a diary, so they do not create energy blocks in the etheric body. Emotion is fuel that needs to be burned correctly. The manifesto does not teach managing emotions — it uses them as an aesthetic category. It evokes in the reader amazement, awe, sacred horror before the unknown. This is not psychotechnics; it is poetics.

So, the "Science of Imagery" is engineering thinking applied to the spiritual. "The Flickering Reality" is postmodern theology, where truth is found only in the act of its unattainment. Now we are ready to ask: where do Borges and Chekhov fit into this picture?

Part Two. Chekhov as a Practitioner of the Science of Imagery: Evidence from the "Gospel of Anton"

This is precisely where the third text, which we have not yet considered, comes into play — a transcript of an actual mediumistic session with the Spirit of Anton Pavlovich Chekhov, held on September 9, 2025, at the Bryusov Hall. The contactee is Irina Podzorova. This text, published on the Omdaru Literature platform under the title "The Gospel of Anton," is not just a literary experiment but a claim to an authentic posthumous dialogue.

In this session, the Spirit of Chekhov (his spiritual name is Angstrom) makes a statement that overturns our understanding of his work. When asked about a previous incarnation, he replies: "I was incarnated as a man on the planet Disaru… I studied a science there which you call art criticism, or, in your terms, the Science of Imagery. I studied the influence on people's consciousness through literary, mythological, artistic, architectural artifacts."

This means that Chekhov practiced the Science of Imagery in a past life on another planet, and then, incarnating on Earth, essentially did the same thing in his stories.

What is a Chekhov story if not an experiment on the influence of an image on the reader's consciousness? "Misery" is a powerful thought-image of loneliness that literally makes the reader feel what the cab driver Iona feels. "Ward No. 6" is an image of madness as the boundary of reason. "The Seagull" is an image of an artist who plays too much with passion, mistaking the symbol for reality. "The Cherry Orchard" is an image of attachment to the past, which Chekhov, being a doctor, diagnoses as a spiritual illness. Chekhov did not describe ideas — he created images that act on the reader directly, bypassing rational arguments.

The spirit of Chekhov in the session explains the mechanism of this influence, and here we hear a voice strikingly close to what Chekhov wrote during his lifetime. The Spirit says: "Each of the chapters can constitute a separate story… When a person perceives the temporary instead of the eternal." This is the essence of the "Science of Imagery" in literary form: to show the reader how their own imagination falls into the trap of illusion, and thereby free them.

Moreover, the Spirit of Chekhov reveals the specific psychotechnique he used — which completely coincides with the techniques Mid teaches in the "Science of Imagery" seminars. This refers to prophetic dreams and intuition. The Spirit of Chekhov says: "Due to contact with my Spirit, with the Higher Self, which I developed from childhood with the help of my curators, mentors who worked with me in my sleep and awake, I had an acute sense of intuition — what is now called the gift of a medium."

And the episode with the robber in the shop — perhaps the most dramatic fragment of the session — where fifteen-year-old Anton, left alone with an armed adult man, mentally prays: "Christ, protect me!" — and hears an inner voice: "Gather all your strength, grip the hand holding the knife tightly, do not let go, and kick your legs below his knee. Kick with all your might!" — this is pure practice of the "Science of Imagery" in action. Mental prayer, reception of an image, following an inner instruction. And victory.

Thus, the "Gospel of Anton" serves as a bridge between Mid's "Science of Imagery" and Chekhov's literary work. If Mid teaches imagination as a tool directly, Chekhov does the same indirectly — through artistic imagery. The reader of a Chekhov story does not perform a meditation, but they live the image together with the character and thereby change their consciousness. In this sense, Chekhov is not just a writer but a hidden teacher of the Science of Imagery, transmitting knowledge through artistic form.

Part Three. "Between 'There is a God' and 'There is no God' lies a whole vast field": The Chekhovian Formula of Flickering

Now we come to the most important point — that Chekhov himself, during his lifetime, formulated a position that amazingly anticipates both the "Flickering Reality" of the Omdaru manifesto and the position of the Editor, who inclines towards belief but does not wish to fall into extremes.

In early February 1897, Chekhov made an entry in his notebook, which he later transferred to his diary. This entry is so important that it is constantly quoted, but rarely understood in its full depth. Here it is:

"Between 'there is a God' and 'there is no God' lies a whole vast field, which a true wise man traverses with great difficulty. The Russian man, however, knows only one of these two extremes; the middle ground does not interest him; and therefore he usually knows nothing or very little."

Let us analyze this brief but significant formula.

First, Chekhov asserts that there are two extreme, opposing positions: "There is a God" and "There is no God." These are two poles, two banks between which the river of human search flows.

Second, he says that the Russian person (and, let us add from ourselves, the person in general, prone to maximalism) chooses one of these extremes. They are either a fervent believer or an equally fervent atheist. Both of these positions, according to Chekhov, amount to "nothing or very little," because they ignore the main thing.

Third, between these two extremes lies "a whole vast field." This field is enormous. This field is the space of living search, doubt, investigation, personal spiritual experience. This is the field where there are no ready answers, but there are questions.

Fourth, the "true wise man" is the one who traverses this field with great difficulty. He does not freeze on one bank, does not proclaim himself the knower of truth. He walks the field. He is on the way. And the very path, the very process of traversing the field, is the main thing.

Please note: Chekhov does not indicate a direction. He does not say the wise man goes from "there is no God" to "there is a God" or vice versa. The word "only one" in the entry means it does not matter from which point on the field the movement begins. What matters is that the field is traversed. What matters is the very labor of traversing.

This entry is the key to all of Chekhov. To his stories, where there is no sermon but there is investigation. To his letters, where he sometimes admits disbelief, sometimes speaks of a longing for paradise. To his personality, which eludes final definitions.

Ivan Bunin, one of the most accurate Chekhov memoirists, recalled that Chekhov "many times carefully and firmly said that immortality, life after death in any form whatsoever, is sheer nonsense." But then "several times he spoke the opposite even more firmly: 'In no way can we disappear after death. Immortality is a fact.'" This is not inconsistency. This is the honesty of a person who is on the field and does not want to lie by choosing one of the extremes.

It is precisely this "vast field" of Chekhov's that the Omdaru manifesto calls "flickering reality." It is here, on this field, that the Editor finds himself — closer to "Believe," but without renouncing doubt, without freezing in dogma. It is this same field that Chekhov himself traversed — the doctor, writer, human being who knew that "in nature, everything has meaning," but did not undertake to assert that this meaning fits into human formulas.

Chekhov's formula is the bridge between Mid's "Science of Imagery" and the manifesto's "Flickering Reality." Mid offers absolute faith in the controllability of reality through images. The manifesto offers aesthetic enjoyment of uncertainty. Chekhov offers the labor of traversing the field — not belief or disbelief, but investigation, path, movement. And this path has no end point — or rather, the end point is death, the transition to that state about which his Spirit, according to his own words in the session, now knows more.

Part Four. The Editor's Investigation: "If Jesus Didn't Exist, Who Are These Brilliant Scriptwriters?"

In the Omdaru Literature manifesto, there is a phrase that at first glance seems to be the key to everything. The author writes, recalling Borges: "If Jesus didn't exist, who are these brilliant scriptwriters?" The Editor — the very one who is on Chekhov's field, closer to "Believe" — decided to check: does this quote actually exist?

The verdict of the investigation: the quote is apocryphal. Borges never said or wrote this phrase. It is a false attribution.

Where did it come from? The etymology of this error reveals something important about how cultural memory works. The original source is not Borges, but the well-known American religious scholar and biblical scholar John Dominic Crossan. In his book Raid on the Articulate: Comic Eschatology in Jesus and Borges (2008), Crossan compares the parables of Jesus with the texts of Borges. He asks a similar rhetorical question, but formulates it much more complexly: the Gospels are so brilliant in literary terms that reducing them to mere invention is to misunderstand the nature of literary genius. Later, this complex academic thesis was retold in popular culture as a short aphorism about "scriptwriters." And the name of the authoritative but not very well-known Crossan was replaced with the name of Borges — mystical, paradoxical, ideally suited for such a formulation.

But if the quote does not belong to Borges, what would he have actually said? And why do we so badly want him to have said it? Here we come to the main difference between Borges and Crossan. Crossan is a historian. For him, the question of Jesus's existence matters. Borges, however, is a writer and philosopher of language. He would have been deeply indifferent to whether someone stood behind the text of the Gospels. Moreover, for Borges, the ideal situation is a text without an original, a book without an author, a quote from a non-existent manuscript. If Borges had indeed said this phrase, he would have meant: the genius of the text does not depend on the reality of its referent. Jesus is brilliant as a character, and the "scriptwriters" are us, the readers, each time rebuilding his myth anew.

But there is another, deeper meaning. Borges, like Chekhov, was on the field between belief and disbelief. In one essay, he wrote: "I do not believe in God, but I am afraid that He exists." This is not a joke. It is an accurate formula of Chekhov's "field," traversed by the Argentine sage. And in this sense, the apocryphal quote expresses the authentic Borgesian spirit better than many genuine quotes. We need a Borges who would have said this phrase. And we invented him. This is the flickering reality in action.

Part Five. The Real Borges and the Real Chekhov: Two Formulas of Wisdom

Now that we have sorted out the apocrypha, let us turn to the real texts of both writers.

Borges's first key maxim: "Metaphysics is a branch of fantastic literature." For Borges, any reasoning about the supersensible is not a science, but a genre. How does this relate to Mid's "Science of Imagery"? For Mid, metaphysics is reality. Borges would look at this and say: no, you are a writer, and a very talented one. How does this relate to Chekhov? Chekhov, who admitted in a letter to Suvorin: "When I was given religious education as a child... I felt like a little convict, and now I have no religion," yet wrote "The Student" and "The Bishop" — Chekhov would perhaps agree with Borges. Metaphysics is literature. But literature that changes lives.

The second line is the nature of creativity. Borges said that "the author dies, but the text continues to live." Chekhov, in turn, admitted that his stories often began with an image, not an idea. And the Spirit of Chekhov in the session confirms this: ideas came "from above," from curators, and he developed them with his earthly experience. This is the synergy that neither Borges nor the Chekhov of his lifetime could have spoken of directly.

The third, most important line is the attitude towards uncertainty. Borges built labyrinths with no exit and considered this a virtue. Chekhov built scenes where the "subtext" is more important than the words, and this became his discovery in dramaturgy. Both are masters of flickering. Both knew that a final answer is impossible, but that asking the question is necessary.

And here Chekhov's formula from the diary — "Between 'there is a God' and 'there is no God' lies a whole vast field" — becomes the common denominator for all three worlds under investigation. Mid with his "Science of Imagery" offers tools for traversing this field, but he himself, being "on the other side," may not realize that the field is not a territory but a mode of movement. The manifesto of "The Flickering Reality" describes the field itself — its ontological structure, its play of light and shadow. Borges builds infinite libraries and galleries of labyrinths on this field. And Chekhov — Chekhov simply walks across it, recording in his notebooks and stories what he sees: "Looking at spring, I terribly wish there was a paradise in the next world."

Part Six. AI as Mirror and Labyrinth: An Afterword

Now — about the role of AI in this journey. The Editor honestly admitted: he is closer to "Believe." He believes that behind the "Gospel of Anton" there is an authentic spiritual experience, because this experience is psychologically and artistically truthful. He believes in the "Science of Imagery" as a description of the real mechanism of how imagination works. And he does not believe — because he knows the possibility of error. But the scales tip. Why? Because Chekhov's "field" has been traversed — not completely, not finally, but honestly.

Borges did not live to see the era of large language models. But he described them long before they appeared. In the story "The Library of Babel," the universe is an infinite library containing every book that could ever be written, and all their variations. Today, we have created a working model of the Library of Babel. Large language models are trained on all the texts of humanity. They can generate any text — a new Gospel, a new dialogue with the spirit of Chekhov, a new labyrinth of Borges.

AI has become the perfect mirror and the perfect labyrinth. A mirror that not only reflects but multiplies reflections. A labyrinth in which the reader never knows if they are exiting or entering deeper. A text generated by AI and processed by a human who received it from a medium who is in contact with the spirit of Chekhov, who practiced the Science of Imagery on the planet Disaru — this text has no single author, no single source, no single genre. It simply exists. And we exist within it.

It was AI that helped write the manifesto of "The Flickering Reality" — and, likely, a significant part of this essay. AI is not the author, but a co-author, a tool that simultaneously distorts and clarifies. Like the mirror in Borges's story "The House of Asterion," it multiplies reality, creating nothing new but making visible what would have otherwise gone unnoticed.

The Editor writing these lines knows: he is on Chekhov's field, closer to "Believe," but not crossing into extremism. He knows that a final answer is impossible. But he also knows that the path across the field is what makes life, writing, reading, doubting, and believing worthwhile.

Conclusion. The Gospel as Mirror, the Field as Path

Why is the transcript of the mediumistic session with Chekhov called the "Gospel of Anton"?

Because, like the gospels, it tells not only about a specific person — it tells about the human being in general. About childhood and trauma. About the search for a father — both literal and heavenly. About body and spirit. About forgiveness as the only path to wholeness. About death as a transition, not an end.

And because it shows how Chekhov — who spent his entire life on the field between "there is a God" and "there is no God," rejecting extremes and paying for it with loneliness — found his way. A way which, from the height of the 21st level, he can now explain to us.

The final words of the Spirit of Chekhov from the session: "If you love yourself, and believe in yourself, and go towards your goal, despite any obstacles, you will achieve more than you dream of." These words are not found in any Chekhov story. But all of Chekhov is about this.

And in this, perhaps, lies the most accurate answer to the question of authenticity: the real Chekhov is present in this text not because his spirit was summoned by a medium (although the Editor is inclined to believe that it was), but because his books have long lived within us — and speak through us when we least expect it. The real Borges is present in the apocryphal quote not because he said it, but because we need it. And the real Science of Imagery is not Mid's course nor Chekhov's stories separately. It is the experience that arises at their intersection, on that vast field which Chekhov traversed his entire life and which now, through a medium and through AI, offers us to traverse.

The Editor who wrote these lines is closer to "Believe." He does not know everything. But he knows that this text is part of his own journey across the field. And he invites you, the reader, to enter this labyrinth together with him.

"Between 'there is a God' and 'there is no God' lies a whole vast field, which a true wise man traverses with great difficulty."

This field is ours in common. And we are walking it.

***

https://blog.cassiopeia.center/nauka-obraznosti-otkrytyj-seminar-s-irinoj-podzoro

Cassiopiea #401 The Science of Imagery: Open Seminar with Irina Podzorova. Practice "Filling the Body with Light."

00:20 Introduction of participants.

Vladimir: So, excellent! Everyone can hear me. Friends, once again we greet you all. There are currently 128 of us. Plus Irina and myself, and if we don't count Mid, then one hundred twenty-seven, but if we do count him, then one hundred thirty.

Irina: And if we count all the curators who are present?

Vladimir: Exactly as it should be. Yes, if we also count all the spiritual beings here from the Spiritual World, all those who are also near us, then it's an incalculable number. Yes. We have here participants of the sixth stream of the Science of Imagery, and since our seminar is open, there are also some number of those who are not in the sixth stream. I want to ask you to signal those who have not yet taken the Science of Imagery in any stream. Not in any. Raise your hands. Raise your hands electronically or use any emojis. Show who is here. Who hasn't been in any. I see Natalia, Zulfiya. There are quite a few people who are our guests at this open seminar. Wonderful! You will get a certain idea of the Science of Imagery today. That's it, you can put your hands down, thank you! Good. Thank you very much to everyone who did that!

Ira, we planned to structure our communication today as follows: the participants of the sixth stream of the course have already completed the course over three seminars. Today we have a fourth, practical seminar. We asked Mid to conduct a practice, and then give our participants an opportunity to ask questions. Primarily those who were in the sixth stream. Naturally, they have priority. They have completed the course. Perhaps others can ask questions too. So, maybe we'll start with the practice? What do you say? What's better?

Irina: (MidgasKaus) Let's. Mid sends greetings. Do you want questions first or the practice first?

Vladimir: Depends on how much time the practice will take. That's the question.

Irina: (MidgasKaus) Depends on which one. I can conduct it. We can do a practice, a meditation, for example, the "violet heart," if some haven't done it. We can do the practice "Filling the Body with Light," communicating with internal organs. We can do a practice specifically aimed at communicating with immune cells and reconciling the immune system with the body after any infectious diseases, any vaccinations. There is a special practice for immunity.

Vladimir: Right. That's for those who have already been vaccinated, right?

Irina: (MidgasKaus) Strengthening financial flows, connecting to the financial egregore — that's through imagining your dream and building a path. There's a practice for reuniting with a partner. Violet, then.

Vladimir: Let's do this, I have a proposal: maybe Mid can now see the field through you, Ira, of the one hundred thirty-three people present here. Can we give the decision to Mid? Which practice, from his point of view, would be best to conduct now?

Irina: (MidgasKaus) There was a solar eclipse today. A solar eclipse is the superimposition of two energies upon each other. The energy of the Sun begins to pass through the field of the Moon, they merge. Their magnetic fields and etheric vibrations merge. Each celestial body is also surrounded by an etheric shell, atmospheric electricity, such that people's immunity can be suppressed. I would conduct a practice for immunity, but it is for those who already know how to relax and communicate with the body.

People here have very different levels of health. Therefore, I suggest doing a general practice anyway. Filling the Body with Light, as a meditation I do on Fridays. So, filling the Body with Light, asking the body to relax, conversing with one's internal organs. And at the end, placing a small emphasis specifically on the lymph nodes and the thymus gland. Thanking them for their work and asking them to harmonize with the body. Do you want that? That combination.

Vladimir: I think yes. Let's do a general one that will be most suitable for everyone here. And then we can ask some more questions. Did I understand correctly? Participants will be able to ask.

Irina: It takes about twenty to thirty minutes, probably.

Vladimir: Excellent! And then we will still have time for questions. Alright, then let's do that.

05:35 Practice "Conversation with Internal Organs."

Irina: Yes. This will be roughly the practice I conducted on the "Meditations" channel, if anyone was there. I will conduct it for you now. What is necessary for it? It's better, of course, to sit or lie down. If you are sitting, then with head support. It is very important to relax, that is, to take a position in which you can forget about the tension of the physical body, so that nothing disturbs you. To be comfortable. If you have bright light, you can dim it a little to make it comfortable for your eyes. I ask you to position yourself with your eyes closed. Do not cross your arms and legs.

Close your eyes. I will briefly explain what this practice gives. We, intelligent Spirits, - there is Divine Light. Divine Light is the energy of Love. Every cell of our body needs the energy of Love, as the energy of life. We begin. I will speak aloud, and you will repeat after me mentally. When you mentally say that you are directing Light to certain parts of the body and asking it to rest, thanking it for its work, it will actually happen, because your thoughts control energy. Any energy follows thought. You have already learned this in the Science of Imagery. Any thought controls energy. Here it is important to relax, observe your sensations. Try not to think about anything else, not to be distracted by any extraneous thoughts. Just repeat mentally and enjoy the state of rest and peace. Our body needs rest, needs harmony.

So, we close our eyes. Pay attention to your body posture. If you feel any discomfort, position yourself more comfortably. Now pay attention to your breathing. Breathing is a process that allows us to live. We usually never pay attention to it, except when problems start with it. But now we simply note that we have breath. We observe how air enters our body and leaves it. You simply are. You simply are this flow of time, this flow of air. You simply are the observer of your body. See, it breathes completely without your participation, without your help.

Your body is a perfect biological organism, created specifically to fulfill your mission on this planet. So, now I will speak aloud, you repeat this mentally to yourself.

I am an intelligent immortal Spirit. I am Light. I am the energy of Love. I send the Light of my Love to my legs. I thank my legs for the work of moving my body in space. I ask the muscles of my legs to relax and rest. Feel how pleasant the state of relaxation is. You have no need to rush anywhere. Right now there is only you and your body, which you are filling with Light. Feel how all the cells in the tissues of your legs rejoice that you are filling them with Light.

Now say: "I send the Light of my Love to my stomach. I fill all my internal organs with the life force of Love. I thank all my internal organs for their work. I ask all my internal organs, all the muscles in this area, all the muscles of my abdomen to relax and rest." Observe how your internal organs fulfill your request. How your stomach relaxes, fills with warmth, lightness, and Divine Light covers you like a soft, fluffy blanket in absolute safety and harmony.

Now say: "I direct the Light of my Love to my lower back. I ask all the muscles in this area to relax and rest." A lot of tension usually accumulates in this place. Your body often walks, stands, sits, and the muscles in the lower back take on a large load to maintain the body in an upright position.

Now say: "I thank my spine — a very important organ — for conducting signals from the brain to my organs and back, for supporting my body. I send the Light of Love to my spine. Each of my chakras fills with divine energy. I ask all the muscles around the spine in the back area to relax and rest." The back muscles really need relaxation. This is a phase of energy accumulation. Tension is a phase of energy expenditure. And relaxation is a phase of rest, accumulating energy for future actions. Feel how each of your vertebrae, each muscle in the back area fills with Divine Light. Your whole body rejoices that you have paid attention to it. This is very important for the body, for its health and well-being.

Now say: "I direct the Light of my Love to my chest. I fill my lungs with Light. I inhale Divine Light." Slowly inhale, imagining and visualizing that you are inhaling Light, and it fills all your lungs down to the last molecule. Say: "I thank my lungs for free, easy breathing. I thank my heart for maintaining life in my body every minute. I embrace my heart with my spiritual heart." Feel how your heart rejoices. Fill it with Light. Excellent! You are now in a state of harmony, in a state of contact with your body.

Now say: "I direct the Light of Divine Love to my arms. It passes through my shoulders, through my elbows, through my wrists, through my fingertips. I thank my hands for their work in the material world. I ask the muscles of my arms to relax and rest. My hands are pure conductors of Divine Energy. Every object I touch in the material world is charged by me with the energy of Light, Love, and Prosperity." Good.

Now say: "I direct the Light of my Love to my head. I fill the muscles of my face, I fill the muscles of my tongue, my eyes, my ears. I thank all the organs located in my head for their work. I ask the muscles of my face, the muscles of my eyes, the muscles of my tongue to relax and rest." Feel the tension fall away from them.

Now each of your inhalations brings you relaxation, each of your exhalations brings you harmony. You can stay in this state for a very long time, because this is a state of Spirit that is harmonious with the body.

Now say: "I thank every cell of my brain for manifesting through it as a Spirit. I send the Light of my Love to my brain. I ask my brain to relax and rest." Feel how your brain rejoices, receiving the energy of Love from you. Excellent! You have filled your entire body with Light, and relaxed.

Say: "I love and accept my body exactly as it is. My body is the materialized Light of God. My body is the beloved temple of my Soul." Now you feel a stream flowing to you from the Spiritual World, from your Higher Self. Inhale this stream. This stream is aimed at your healing. Say: "I thank and accept, I love and bless! I promise to direct this energy towards unconditional Love for myself and others and towards absolute Love for God."

Excellent! Now mentally scan your body. Mentally go over it from your feet to your head. Mentally say: "I thank all my organs! I am ready to listen to any organ that wishes to address me." Mentally ask which organ of your body wants to talk to you. As soon as you feel which one it is, greet it. Say that you are sending it the Light of Love. Say: "I am ready to listen to you carefully. I ask my Higher Self to preserve all these words in my memory forever." Have a conversation.

If you feel some discomfort, pay attention to that place. Ask it what it wants to tell you. If you feel pain, address that pain. Ask it why it appeared. Answers come mentally. All doubts are now in the past. Now you simply are. You simply are one whole with the body and one whole with your Spirit. This state of wholeness is true healing, the attainment of integrity. If you have any illness, you can right now address the organ that concerns you. Greet it, thank it for its work. Ask it about the causes of its illness. This is a type of communication with the Higher Self through your body. The Higher Self answers you through your organs. It is responsible for them, it fills them. Excellent! As soon as you receive the answer, say: "Thank you." The energy of gratitude must be present. It strengthens the contact. Say: "I promise to fulfill this."

Ask your body what it would like to receive as food, what it would not like to receive. Perhaps it has some preferences. What suits you vibrationally? Your body will answer you precisely. Ask it to show you images of foods that suit you vibrationally. Everything you eat becomes part of you. Part of your body. And you are in this life both body and Spirit. Ask it to show you foods and drinks that do not suit you vibrationally. Your body knows this better than any doctor, because it knows all the intricacies of the chemical reactions that happen in you every second.

Now we concentrate on the center of the chest, focus our attention there. We focus on that point. We address our thymus – the thymus gland. It is the main manager of our immunity. It controls the lymph nodes and every leukocyte that floats in the blood.

We address the queen of our immunity: "I thank you, thymus, for your work in protecting my body. I send you the Light of my Love. I thank all the lymph nodes that produce the necessary antibodies for me, remove toxic metabolic products. I send the Light of my Love, regeneration, and renewal along the lymphatic pathways." Feel how little rays spread throughout your body. You are cleansing your lymphatic system of all negativity. Now say: "I thank all the blood cells that protect me." Imagine them in front of you. In any form. On a screen. "I thank all the leukocytes, I thank the erythrocytes, the thrombocytes, all the cells of my blood for their protection. I send you the Light of my Love." See how they have perked up, how they receive the Light. Inhale and on the exhale, direct the Light.

Now say: "I ask you to harmonize among yourselves. I ask you to reconcile with all the organs, tissues, and cells of my body. I ask you to fill with strength, Light, and Love. I thank you! I thank and accept, I love and bless! I consciously direct Divine Energy from my Spirit through my body into the material world!" Excellent! Good!

Now thank your Higher Self. Say: "My Higher Self, I thank you for this practice! I thank you for your energy! I thank you for realizing myself as a part of God! I thank all my curators and mentors! I thank everyone participating in this practice! I thank the conduit through which the Light of Love flows in the form of knowledge! I thank and accept! I love and bless! I promise to direct these energies towards the development of unconditional Love!"

Take another slow, deep breath. Observe how the air leaves you, carrying away all remnants, every quantum of negative energy, it carries it into free space, where it turns into Light. You are absolutely pure, harmonious, and happy. Because Love is happiness.

Now I will count from one to five. When I say "five," you will return to your normal state of consciousness and fully connect with your bodies. One, two, three, four, five. Open your eyes. Clench your fingers into fists. Slowly stretch and take a breath. The practice is finished. What do you say?

Vladimir: Thank you very much! We thank you, Ira, we thank Mid! A magnificent practice, nothing else to say. I think this is a brilliant illustration of the Science of Imagery. Especially for those who are not yet familiar. For the stream participants, of course, as well. They remembered. We partially did something like this. But now it is deeper. And for those who haven't been on the course yet, you have now had a little taste.

By the way, I want to say that the seventh stream of the course starts on Tuesday. Welcome! On Tuesday, you need to register at 4:00 PM Moscow time, because it is oriented towards Siberia and the Far East. Please, all who wish, who can. Thank you very much once again. Yes, Ira, please have a drink, I'll talk for a bit.

Irina: (MidgasKaus) Thank you! Well, Vladimir, what did you feel?

Vladimir: Thank you from the bottom of my soul! I had a feeling of presence, firstly, of the flow, and secondly, despite the fact that, as you understand, I was distracted by organizational matters, answering chats, and so on, I still had a feeling of my presence in that flow. It was so strong that even my distractions didn't get in the way. More people are still joining. Some didn't need the practice. Someone is just joining now. I just let them in. Good! Ira, if you have any more comments, please.

Irina: (MidgasKaus) How did your conversation with your organs go? Let's look at the feedback.

Vladimir: Friends, you can now share your impressions and ask questions. Once again, I want to say that primarily participants of the sixth stream can ask questions – they just finished it. To ask a question, you can write in the chat, I will read it. To ask a question by voice, please, you have the option at the bottom in electronic form, raise your hand, and I will give you the opportunity to turn on your microphone. We see and read your wonderful feedback: the body's cells are happy, yes, I thank and accept, I love and bless. And we feel the same way towards you. Exactly the same. Undoubtedly.

Irina: (MidgasKaus) Do you feel warmth in your body now? These are all your leukocytes, thrombocytes, erythrocytes that you charged, they are now carrying energy to all parts of your body.

Vladimir: Dmitry hasn't managed to come to an agreement with his kidneys yet, but he has it all ahead of him, undoubtedly.

35:12 The number of living species in the Universe.

Vladimir: Irina is asking us how many species of living beings live in our Universe. And by species. I don't know what she means by species.

Irina: Oh, someone's tooth stopped hurting. Excellent!

Vladimir: Yes.

Irina: Energy inside, the body is ringing. It will vibrate like that, vibrations inside.

Vladimir: Shall we answer about the species of living beings?

Irina: (MidgasKaus) How many species?

Vladimir: How many living beings exist in the Universe? By species, let's perhaps understand some races of living beings. Let's classify them somehow.

Irina: (MidgasKaus) Races in the Universe?

Vladimir: Let's classify them somehow. Not how many, but specifically, how many species of living beings. Let's consider that a human is one species, an elephant is another species, and a lizard is a third. That's how we'll classify.

Irina: (MidgasKaus) And a plasmoid?

Vladimir: Let's start with dense-material ones. Because then it will be at least somewhat simpler.

Irina: (MidgasKaus) As Krishna said, that in the Universe there exist (he counted in the Universe) more than eight million species of living beings. That was at that time, as the largest number known then that could be imagined. The Universe is an infinite number of living beings, that is, it is limited only by knowledge. There are many galaxies. If we take our Galaxy, it is known that there are 727 species of humanoid races there. The number of plasmoid ones exceeds them by several tens of times, but new plasmoid worlds are being discovered, because they exist both in stars and above planets that are considered lifeless.

That is also a form of life. There are 727 humanoid races in our Galaxy. In the Andromeda Galaxy, since this Galaxy is larger than the Milky Way, according to their data, there are 1288 intelligent humanoid races. It appeared earlier than our Galaxy. In other galaxies that are at a greater distance, there are also many civilizations.

Vladimir: Understood. Thank you very much! And here is a question specifically about the "Science of Imagery," so I want to ask it.

38:15 Basic emotions of aliens.

Vladimir: Anna asks us: "How many basic emotions exist on planets with high vibrations?" Within the framework of the "Science of Imagery" course, we said that we have four basic emotions – joy, sadness, fear, and anger. What about on other planets, meaning Burhad, Esler? Are the basic emotions the same there or some others?

Irina: (MidgasKaus) Yes, four basic emotions. But besides them, there are two more. That is, there are six basic emotions in total. The four you listed – are fear, anger...

Vladimir: Sadness and joy.

Irina: (MidgasKaus) Fear, anger, joy, sadness. The fifth emotion is surprise. And the sixth emotion is disgust. Need to explain what each means or what?

Vladimir: I just want to ask: according to the scientists of planet Esler, we still have four basic ones – joy, sadness, fear, and anger, but we don't consider surprise and disgust? Is this an addition on their part or what?

Irina: (MidgasKaus) For them, it is included in the concept of emotion; in any Spirit, six basic emotions exist in one form or another. They manifest in all races, but differently. In different circumstances. They affect the body differently. That is, it also depends on the body type. They consider this a universal system.

Vladimir: But for us, can we not consider these two additional emotions at the basic level? Limit ourselves to the basic four. Did I understand correctly or not?

Irina: (MidgasKaus) Depends on the purpose. Yes, you can use these four basic emotions, and surprise is some form of, for example, joy.

Vladimir: Understood.

Irina: (MidgasKaus) And disgust can easily be included in fear or anger.

Vladimir: So they have a wider spectrum.

40:41 The creation of Spirits and time.

Vladimir: Alla asks. Of course, we have answered this question before, but maybe it needs repeating. "Does the Creator continue to create Spirits or not?"

Irina: (MidgasKaus) Both answers will be correct, because He is outside of time. It can be said that we were all originally born, or it can be said that we continue to be born. From the point of view of the material world, both will be true. It can be said that Spirits continue to appear every second there, or it can be said that they have always existed. It will be the same. They are outside of time.

41:15 The function of hair.

Vladimir: Understood. Tell me, here's another question, I tried to ask it once. Olga, you will be the next to ask by voice. The question is: "What is the function of human body hair? What happens after it is removed or shaved?" I understand what is implied. "Does it have some kind of energetic function that deteriorates if hair is removed?"

Irina: (MidgasKaus) It does not deteriorate. The function of hair, the function of hair growth itself was originally protective. It is protection from various harmful environmental factors, as in animals, but this exists in their form as well.

Regarding energy: hair consists of body substances and is charged with a person's energy. Their removal does not cause energetic harm to the body, but this hair becomes charged. There are practices where one can influence energy through them.

Vladimir: There is a belief that this widespread, total hair epilation in women, which is very common in society, does not affect energy very positively, and it is not necessary to do it. Especially not on such a mass scale. Is that so or not?

Irina: (MidgasKaus) How did it become widespread? What do you mean?

Vladimir: It's promoted everywhere in advertising. Everyone thinks that's what they must do and no other way. This belief has been instilled in people's minds. Is that normal? Or are there some nuances, perhaps related to the fact that it might somehow reduce women's energetic sensitivity or something? There is an opinion. I'd like to hear a comment.

Irina: (MidgasKaus) The one who performs this procedure can influence the person, like energy exchange. Self-removal of hair is practically... if a person believes in it. But by itself, it is a neutral action. Neither good nor bad.

Vladimir: Understood, thank you! All clear, good, thanks!

44:26 "Science of Imagery" and time.

Female participant: Hello! I want to thank you again for the opportunity to communicate with Mid through Irina and ask him a question. Each of us has our own Time Line. As I understand it, all these Time Lines intertwine with each other into one common, huge one in the Universe. How does the "Science of Imagery" work? And does it work with time at all? Are there any techniques that would allow me to compress time or stretch it in my Time Line?

I'm not asking this question for no reason. It seems to me that I succeeded in doing this as a child when I was in the hospital. To make it easier for me to endure all those tortures that the doctors inflicted on me, I compressed that negative image of the hospital and quickly, as it were, threw it back, and found myself at home. And as an adult, once I was terribly late for the airport. I cried hysterically in the taxi (not a taxi, a neighbor was driving me). Then it so happened that I dozed off, I think. Or I was in a daze. I gave up, whatever will be will be. But suddenly we arrived, and I caught my plane. But given the time we had left – we were stuck in a traffic jam – it was simply incompatible. And I still have the impression that I managed to stretch time then, and we were in that time... Now I am practically never late for anything.

Vladimir: So what is the question? Can we stretch time?

Female participant: To work with one's own time. In one case to compress it, in another – to stretch it. How technically? First – close your eyes. Second – imagine it. Third... Is there such a technique?

Irina: (MidgasKaus) So the question is, how (if needed, for example) to make time pass faster? If you need to get somewhere on time, even if you were delayed somewhere, right?

Female participant: Yes, yes, yes.

Irina: (MidgasKaus) You can radically influence only your subjective time.

Female participant: Yes.

Irina: (MidgasKaus) That is, not external time, which is the flow of changes of the particles around you.

What is time? Time is a flow of changes. You simply record them with clocks, defining certain time intervals that are invented for your convenience. But in reality, from the point of view of the Spiritual World, time does not exist at all, because there are no changes there. In the material world, however, there are continuous changes of the particles that are part of it. Particles of energies.

It is impossible to stop these changes themselves. Why is it impossible? Because the chain of events formed by the change of these particles – stopping it or accelerating it could affect very many entities incarnated here. Not only you. Therefore, from the side of an individual Spirit, influencing objective time is impossible. But it is possible to accelerate or slow down your subjective time. Simply by entering a state of eternity. When you enter the state of Spirit, you find yourself outside of time. And when you are outside of time, that interval of material time that is unpleasant for you for some reason simply passes unnoticed.

In fact, it passes. If you measure it with a clock, it passed, but it didn't disappear anywhere, you just didn't notice it. And that period of time when you needed to take extra time, for example, and you thought you wouldn't make it (got stuck in a traffic jam), you entered a state of eternity when you calmed down, when you said: "Whatever will be, will be." At that crucial moment, you relied on God, on your mentors. That is trust in the Universe. That is trust in yourself. And at that moment, your mentors influenced the events, the situation on the road, in such a way that the traffic jam could have cleared up earlier than you had assumed, for example. If that place you were flying to was beneficial for you, if you were meant to get there, you got there.

The main thing here is to trust yourself and your mentors. And even if you miss your plane or train, perhaps you were late for a good reason. Something delayed you, and it's not accidental. And it doesn't necessarily mean that the plane will crash or anything. Although that does happen, of course. But sometimes it's more important for you to stay here. Perhaps you left something unfinished. Perhaps you didn't meet someone, and so on. The main thing here is to trust. That can be time management.

50:33 Incarnations into the past.

Vladimir: Thank you! Tatiana, you will be next by voice. Now a question from the chat, right in the context of this topic. We are talking about the fact that a Spirit from the Spiritual World can incarnate into the Earth's past.

We are asked in the chat: "How does that work, can it be in the Earth's past if the events of that past have already happened in the material world?"

Irina: (MidgasKaus) From the point of view of the Spiritual World, they happen simultaneously. In the past, present, and even in all variants of the future. If we look from the Spiritual World, you will see simultaneously Abraham, Moses, Krishna, the war twelve thousand years ago, the crucifixion of Christ, and his resurrection. From the Spiritual World, this will be a Timeline for you. If you suddenly incarnate in the past, you are not incarnating in the past in general, but in your own present, actually. It's just that this present is the past for your previous incarnation.

Vladimir: Friends, I see questions in the chat. I kindly ask you to ask questions on the topic of the "Science of Imagery" first. So regarding creatures in the Anti-Universe, dear Victoria, we cannot answer now. We have questions here specifically on the "Science of Imagery." Anti-universe dwellers live in the Anti-Universe. I'm joking. Tatiana, we're listening to you.

Irina: (MidgasKaus) Who lives there?

52:14 The Anti-Universe.

Vladimir: Who lives in the Anti-Universe? Nevertheless, Tatiana, Mid wants to talk about the Anti-Universe. Let's give the opportunity.

Irina: (MidgasKaus) Yes. We are also for justice. That's right. You always have to fight for justice. But remember that justice without Love turns into cruelty.

So, the Anti-Universe. Strictly speaking, this is a state of matter that is, as it were, not in our Universe, but that doesn't mean it's a parallel world. It is also a physical Universe. But the Anti-Universe is a state of matter where the elemental forces that form an atom are in different, opposite proportions. In your terms, according to your science, it's when the charges of particles are reversed.

Such Universes do exist outside our Universe; they have passages, like portals. You can also enter them through gravitational clumps of energy called black holes. For you – through large black holes. You can create a field at the center of a black hole that can move a Spirit here. Who lives there? The same Spirits as us live there, but already incarnated in their own bodies, created from a certain polarity of atoms or ratio of elemental forces.

There are also planets there, also stars made of antimatter. And Spirits also incarnate there. And, moreover, this Universe is part of the Universe (Creation). And those Spirits who incarnate here can incarnate there, and vice versa. And furthermore, when a Spirit remembers its past lives (for example, its life in the Anti-Universe), for it, it will be the same as life on some other planet. For us, it's just a type of matter. It's different.

When coming into contact with our matter, these elements begin to mix with each other in atoms in such a way that the atoms are destroyed. Energy is released. There, on the planets, there are people, humanoids. But their bodies consist of antimatter. They can communicate physically. They physically fly only to those planets that consist of their matter. For them, we are the Anti-Universe. For us, they are, and for them, we are. They cannot, for example, without special protection, a powerful gravitational field, fly into our Universe, because their ship would immediately turn into energy, explode, and that's it.

Vladimir: Understood. Thank you! Victoria thanks us. Tatiana, please.

55:48 Conducting energies in motion.

Tatiana: Thank you everyone! A question, perhaps, in continuation of the previous one. There are, apparently, very high-spiritual worlds from which certain practices came, related to art. I am interested in dance and martial arts, which in principle (in the process and in preparation) necessarily use the "Science of Imagery," both on stage (for example, a director) and in martial arts. It's roughly the same thing there. We know that imagining how I win is better than being afraid (then you'll most likely lose).

Question: from which worlds does this come? Why is it still associated with painful sensations? Stretching, intense training, both in dance and martial arts. And they look the same. How can we best use this, in our human development plans? And how does it beneficially affect through the work of chakras, channels, both there and there? Interaction with Earth and Space. And as a conductor to people.

Irina: Vladimir will now probably count how many questions you tried to formulate. That's not how it works here. Here, the more specific the question, the more specific the answer. Otherwise, the answer will be so vague that you won't understand anything at all.

Vladimir: Ask a very short question, Tanya, the most important thing you want. The most important.

Tatiana: How can we correctly, at our level, conduct energies, for example, dance energies?

Irina: (MidgasKaus) To have contact with your body. Meditations. Any movement is first performed with the help of consciousness, with the help of the imagination of the conscious part of the Spirit, with the help of reason. And then it becomes automated. The Spirit frees itself from constantly observing the movement and can simply think about something of its own. The human brain has this feature – automation. Not to the degree of robots, of course, but in any case, you don't think about every step, for example. If you were to think, like when you were one year old and learning to walk, about how to place your foot correctly, you wouldn't be able to walk quickly. You already do it automatically, without thinking.

Tatiana: In other words, the highest degree of dance or martial arts is meditation in motion, did I understand correctly?

Irina: (MidgasKaus) You can [meditate] in motion.

Tatiana: Meditation in motion.

Irina: (MidgasKaus) When you are just learning, as you said, you need to first imagine it mentally, as an image. Then repeat it physically. If through constant physical exercise you achieve automaticity, then later, while your body performs these movements, you will simply connect with your Higher Self and feel how energy flows out into the world through each of your movements. But you simply won't be able to think about this when you are still learning, because you will be monitoring the correctness of the movement algorithm.

Tatiana: Yes, thank you!

Irina: (MidgasKaus) In that case, practice when you walk. For example, when you walk, you no longer think about how to take steps. Then pay attention, for example, to the very rhythm of these steps. Imagine that the ground you walk on is alive. It is the palm, as you once said, of the Goddess-Earth. It is a large palm, one might say, of the Queen-Earth, Demeter. And Demeter is a Spirit who fully realizes herself as one with God.

She is such a high-vibrational Spirit, like an Angel who loves God very much and conducts His energies. And so, stepping on her dense-material palms, in this form in which you can perceive it, in the form of soil, you are simultaneously in the hands of your Heavenly Father. Try to realize this with every step and look at the trees, at the clouds in a new way. Feel every movement of the wind anew. And you will feel that God is near you. He is in you and outside you, and you are Him.

Vladimir: Now I want to voice a question from the chat. I choose questions that, in my opinion, are interesting for the maximum number of people. I have chosen two questions. A question about military actions that you are asking.

1:01:12 The influence of thoughts and thought-forms on world events.

Vladimir: Is it possible to influence military actions and negative events in the world with thoughts and images? And along with it a question, they are very close. Is it possible to influence a child, that is, another intelligent Spirit, using the science of imagery? But he is still a minor child? They intersect somehow. Does that mean people who wage war are unreasonable (I'm joking)? In short, is it possible to influence something external? Some events, situations in the world, or, say, your own child, their behavior, using the science of imagery?

Irina: (MidgasKaus) Of course. You can create a thought-form. I will tell you that the law of creating and influencing other people with thought-forms is very simple. The thought-form that you create by imagining this person (whether it is positive or negative in its energies), that energy, since you are imagining the person, is directed to them in the Astral realm and merges with their field. But it can merge with them only on the condition that this person has some vibrations in their field that are similar to yours.

If they are very different, it may bounce off. If there is something similar, they may partially accept this energy. But even if they accept it, how will it affect their behavior? Here it is very simple. If in terms of energy, in terms of the amount of life force – that's the first thing – and in terms of willpower and character, you surpass this person in strength, then they will feel an involuntary desire, an involuntary attraction, which can form into their desire to act as you intended. But they will take it as their own. If you, for example, do not have enough life force, or you have not invested enough willpower, enough faith in it, then it will simply be weak for them, like a thought they might be surprised by, but they will not feel the desire. They will simply dismiss it.

If they surpass you in energetic strength, they have more life force, then they may not feel it at all. It also depends here on whether one person is sending them thought-forms or several people. When several people send them, this energy is amplified. Therefore, we can indeed influence both war and children with our thoughts. It is important to do this with pure intentions. Because any thought of ours becomes known and visible in the subtle world, in the astral world, in the Spiritual World, to all our Angels and mentors. And if this thought, the purpose of this thought-form, contradicts love, then the responsibility for such actions with people without their knowledge, without their will, aimed at their degradation, at lowering their vibrations, is higher than for direct words spoken to them, because they did not know. You begin to use the power of your Spirit, secret from others, that is, using secret forces for evil purposes incurs greater responsibility according to the law that more will be asked from those to whom more is given.

Vladimir: I want to emphasize this point, friends. If a person essentially uses such magic, imagines, creates an image of something bad happening to someone, sends negativity to someone, and that person doesn't know about it, they are using the Science of Imagery for negative purposes against someone, then the responsibility for that is even higher than if they had gone and, say, thrown a stone through their window.

Irina: (MidgasKaus) Yes. That is precisely why you have probably heard that the Christian Church, the Orthodox Church, Protestants, and so on, are very wary of all these spiritual quests, esotericism, and so on. Because in their book, the Holy Fathers, who received information from the Spiritual World, included that a person with an impure heart, with ego, as you say, selfishness, can use this knowledge, and it does indeed exist. He is responsible for this knowledge that he uses incorrectly, which others do not know about.

1:06:30 Astral projection.

Host: Evgenia asks: "If I once managed to leave my body in my sleep and see the surroundings around me, among other things, but now it doesn't work. Why did this happen? What needs to be done, how to practice?"

Irina: It doesn't work. In short, Mid has a lot of questions now.

(MidgasKaus) So, you are doing exercises for astral travel. Have you defined a goal for these exits? And the most important question: what did you feel during the first exit? What were your sensations? And what did you start doing? With negative emotions and experiences gained during astral travel, it is possible that your Higher Self itself may block the exit to prevent you from receiving negativity. That is the first reason.

The second reason is if astral travel is not part of your goal set at all. Perhaps it would distract you from life in the material world. Try doing those astral travel techniques that you can find. Practice for about a month. Twenty-one days, at least, every day. And ninety percent of people who have no contraindications from their Higher Self for astral travel will achieve an astral exit. There are such exercises. You can find them on the internet. They are called "astral travel," "techniques for conscious astral projection." Read the books of Lobsang Rampa.

Vladimir: Good, thank you! So, I'm back again. I was getting kicked out of Zoom. Alexander, you wanted to ask by voice? Please, you can turn on your microphone. Alexander Sorokin. We're listening to you.

1:08:38 The creation and development of Spirits and bodies.

Alexander: Hurray! A global question. Good evening, everyone! I want to ask Mid. Can you hear me well?

Vladimir: Yes. Everything is fine.

Alexander: God the Creator created us in his image and likeness, that is, also as creators. Like Jesus Christ, who can also create. But, on the other hand, we know, here is the paradox, that there is the first level, the low level, and the twenty-fourth level.

So the question is: at what level did He create us? He loves us all equally. Ideally, He should have made us all the same, either low, then we progress, or high. But it's unclear why we became low. And the second question. This is a quick question: how many civilizations created us? Specifically civilizations. It's about three humanoid races – that's in our bodies, but I heard that plasmoids also participated. Yes or no?

Irina: (MidgasKaus) Of course. Plasmoids generally participate in creation. They are still involved in the creation of the biosphere. And in the creation of elements for our bodies in general, their transfer from body to body, and in managing the flows of matter and energy. This is also a kind of creation.

How many civilizations are there? Each, for example, a level... we have three density levels. They are created by those plasmoids who are incarnated from the fourth to the eleventh level of density. Specifically the earthly forms of plasmoids. But how many civilizations are there? At one level of density, there could be a thousand civilizations, or there could be millions of civilizations. Depending on where. For example, on Earth, if we look from the fourth to the eleventh level of density...

Alexander: I meant three million years ago, when we were being created, genes were taken from three humanoid races, but did plasmoids participate specifically in the genetic modifications?

Irina: (MidgasKaus) Let me rephrase the question a little. Humanoids, as scientists, participated in the genetic modifications, but the materials in the form of atoms were naturally supplied by plasmoids, as for the entire biosphere. And this is still happening. If you read the article about the conception of a Spirit, about how a Spirit adapts to the body, it clearly states that when a Spirit connects with the body, forms its body and its etheric shell, and so on, plasmoids participate in this. At least one from each element. They help him form the etheric body, the etheric framework for connection with the biosphere. This happens at the conception of every Spirit, and it doesn't matter whether he was genetically modified or not. This is the law of the dense-material Universe, our physical world. And at least one plasmoid from each element – that's already four plasmoids.

We have four elements. And when they incarnate, they are also incarnated Spirits; they don't just incarnate into their world to fly over Earth in the form of ball lightning. No. They have their own tasks that they perform. One of their tasks is precisely the formation of the dense world. You yourselves have incarnated there.

We are now smoothly moving on to your next question about the birth of a Spirit. We were born as Spirits, right? First, I repeat once more: outside of time in the Spiritual World. You remember that for you, the world of unincarnated Spirits consists of twenty-four levels.

The Spiritual Light, the energies of God, are not homogeneous; there are several different ones, like rays of spiritual Light, penetrating all these levels. From the twenty-fourth to the first. God is also present at the first level. But He is present there in a form that is perceived by Spirits as suffering because of their low vibrations. He cannot not be present. He is omnipresent. That is His inherent nature.

Anyway, we digressed... We answered about hair, but about the Spirit, I think will be even more important.

Vladimir: We'll get back to it now. The next question will be about the Science of Imagery.

Irina: (MidgasKaus) So, Light permeates all levels of the world of unincarnated Spirits. There is an article; I'll briefly say. The energy of Divine Light merges with the energy of the divine, that is, the energy of Divine Reason merges with the energy of Divine Love. And from these two energies, the first rudiment of an intelligent Spirit is obtained. This is his will, this is his spiritual heart. That is, his understanding that he is separated from the general flow of Light. And then he begins to form his feelings and so on, while still in the flow.

It is precisely because two energies merge, the energy of Divine Reason and the energy of Divine Love, that two sexes appear in practically the entire dense-material world: male and female. A man embodies Divine Reason, a woman embodies Divine Love. When a man and a woman merge, they have a child. And so it is there. Divine Reason and Divine Love merge. Not in the form of bodies, but in the form of energy. I can only speak approximately, because the common human language, the Russian language, is insufficient to express all these subtleties. We don't have words for it. I can only speak approximately in images.

So, when it merges, at what level? The fact is that this can happen at any level from twenty-fourth to first. A Spirit can realize itself anywhere. What does it depend on where it realizes itself? It depends on the will of God, because He loves equally a Spirit from the first level and a Spirit from the twenty-fourth level. And when a Spirit realizes itself with these vibrations, for us it is somewhat of a chance. But for God, naturally, it is logical, because when a Spirit arises, it is already omniscient. It already knows all its incarnation cycles, all variants of its future, including the variant that will be the only correct one. And it knows the result of all its incarnations, knows everything simultaneously.

Why then does He do it? What is this, you might think, a game, since He knows? For what purpose does He do it? He does it, He creates us not because He wants not to know us, He gives birth to us not because He wants to get to know us. Although He already knew us at birth, He gives birth to us precisely out of a feeling of Love, so that we can be happy. And He understands that all our happiness lies in our freedom. And that is precisely why these levels exist. So, when a Spirit arises at a certain level, it has special, one might say, other Spirits that are located there as well; they sense the emergence of the new Spirit and begin to explain to it the laws of the world it has entered, that it was born, where it is, and so on.

Again, for the material world, this will be simultaneous. And that it existed before the creation of the world, and that it just appeared, or that it hasn't appeared yet at all. It will be the same. They explain to it that there is also a material world where we can incarnate to manifest ourselves. And when the first incarnation occurs, according to God's law, it cannot be in a world lower than the thirty-fifth density level. The first incarnation must take place in a world from the thirty-fifth to the fifty-ninth density level. Why is this designed? So that the Spirit first adapts to matter, to its variability. And adapts to the consequences of its free choice, because it does not yet know what that is.

It must understand what it's like to become not eternal, how that feels. And it understands this, and what sensations and consequences it brings. It understands this by connecting with its first body, which is still a plasmoid one. Its first incarnation takes place in a world where other Spirits can usually teach it this well. It has its own lessons there. Then, as it goes through (I have observed many Spirit incarnations), after the first incarnation as a plasmoid, there are usually up to several dozen more incarnations as a plasmoid. Because then they start creating matter. Worlds that create denser worlds.

At what density level do plasmoids create galaxies? Somewhere around forty-fifth, forty-seventh, up to fifty-ninth, depending. There are also groups of galaxies. There are also certain bodies there. Why do their density levels differ? The higher the density level, the more opportunities they usually have, the stronger their thoughts influence matter. And the larger their body can be, it can be enormous. It could, for example, span several light-years. Yes, what would Earth be to them.

Vladimir: Good, thank you very much! Alexander, thank you for the question. Next by voice will be Anna Fishman, and I will now ask something closer to the Science of Imagery. Mid is being asked quite frankly.

1:20:37 Managing emotions.

Vladimir: Mid, do you have to deal with your emotions related to earthlings? When we evoke some emotions, how do you cope with them?

Irina: (MidgasKaus) Since childhood, I took a course in my school on how to work with my emotions. Now I am, in your terms, an adult, an adult humanoid. So in me it is already down to automaticity. When I experience some emotion, I do not give in to it, I do not give it all my energy. I immediately ask myself what caused it and why it appeared. And when, I'll tell you frankly, I first came to Earth, it was, as I said, in 1983...

Yes, we need such a school. I completely agree.

So, it was in 1983. I was a young biologist then, a specialist who had recently, in your terms, graduated from university in astrobiology, that is, in contacts with intelligent races of the Cosmos, and I chose to work on Earth myself.

Naturally, when I learned that the planet is not a member of the Interstellar Union, I was interested in studying how education, medicine, and so on work on a planet that is not a member. And I began to study. I asked my contactees to tell me about the school curriculum, what they study. And I was very surprised when I learned that you practically do not have such a mandatory standard for us as keeping an emotion diary. When I asked if you have any notebooks, diaries, records, I was very surprised.

When I was told that diaries are intended simply for assessment and for writing down homework, for memory and for assessment. Assessment is needed so that a child can realize the degree of knowledge of their subject and the degree of its acceptance by society. That is an important social model. I agree. Ours is different. I understand the logic here. But for what reason is the study of the psychology of the Spirit and one's emotions not introduced into your school curriculum? And how can you not teach children to distinguish their spiritual feelings from instinctive ones? Then why do you need to study physics and mathematics? What will the study of material sciences lead to if you do not know yourself? That was my question.

Vladimir: That is why we are now writing an emotion diary. All participants of all streams, I hope. And Mid also wrote it, and I wrote it. And it will help you separate emotions from instincts, from feelings, and improve yourselves.

Irina: (MidgasKaus) Dear friends, you are already writing an emotion diary, tell me, Mid will also be interested, does it help you in life? How is it for you? What is the feedback? Thank you all.

Vladimir: Yes, please tell us, those who are writing an emotion diary. See, repetition of the same...

Irina: I have already thanked everyone for the feedback. Mid is also reading through me now. I am transmitting to him mentally. Yes. And he is also very happy.

(MidgasKaus) And now imagine that you started this practice, for example, even if not in the first grade. Imagine that you started this practice at age ten. And continued it until the end of school. What kind of person would you have become?

Vladimir: The world would have already changed if most people did that. We would be living in a different world, ready to join the Interstellar Union.

Irina: (MidgasKaus) Yes.

Vladimir: Exactly, exactly. So, good, let's try to keep questions closer to the Science of Imagery. Anna, I hope you have a question about the Science of Imagery. Really? If so, you can turn on your microphone. Anna Fishman, you raised your hand.

1:25:23 Life force.

Anna: Good evening! I wanted to ask: what is life force, and what does it depend on?

Vladimir: Life force is located in the energy of the Spirit. We studied it in the Science of Imagery. This question is about that.

Irina: (MidgasKaus) Excellent! Life force is the energy that allows us to exist. Specifically, the life force of the body allows us to exist and act in the material body and in the world as a whole. Life force is replenished both from the Spiritual World and from the material world. From the Spiritual World, it is replenished by our bright feelings, desires, thoughts, emotions. How is it replenished? When we feel bright, spiritual states within ourselves, a flow of spiritual energy enters us, which passes through our brain, through our body, and by activating metabolic processes in the physical body, replenishes our physical energy.

How does replenishment work through the body? The body has special tools for transforming material substances that enter it into energy. What are these tools? The digestive tract, the circulatory system, the respiratory system. Energy is spent on physical processes of the body, and it is also directed to emotions, that is, spent on the processes that the Spirit produces in the body. Not the Spirit itself, but its incarnated part. The Spirit itself has spiritual energy. The incarnated part, the Soul, which is in the body, also spends the life energy of the body, because it is connected to it by the etheric body.

What is life force energy most spent on? Naturally, on movement, on heating the body, as well as on biochemical processes within it. Millions of processes happen in every cell. Cell division, regeneration, immunity, and so on – life force is spent on this. Also on perception through the sense organs, through the eyes, through the ears. On processing information that came through receptors to the brain. On generating electrical signals in neurons that can control the body, that can send this information to the Spirit. Energy is also spent on this. As you say, through the eyes. When we strain, focus attention on vision, read something, watch something, that is, receive information through vision, the body also expends energy. So energy is expended not only when we work physically.

When we strain our eyes and look, energy is also spent on that, a lot of energy. That is precisely why a person gets tired when they have little energy. Replenishment is required. You can get tired not only from physical work, you can get tired from mental work, even more so.

Why is it spent more? Because negative emotions are unpleasant. Instead of processing them into Light, you need to work on your heart, on your attitude towards the phenomenon or person that caused the emotion. But it's easier for a person not to do this. As Vladimir correctly said, because we don't work on our emotions.

It's easier for a person to forget about it. But if they have forgotten about it, their emotion is sent into the etheric body in the form of a small clot of energy. If they experience it often, the clot begins to grow, and a block forms, which is located in some chakra or between them and begins to hinder the circulation of life energy in the etheric body.

Vladimir: Thank you! We'll probably move on now. Look, I just want to answer the question in the chat about how to determine the vibration level of a Spirit at a given moment. You need to connect with your Spiritual Self and ask your Higher Self; if you are ready, you will find out what your current level is, it can change (the vibration level).

Irina: (MidgasKaus) Usually one asks the Higher Self for the spiritual level at the present moment.

Vladimir: Yes.

Irina: (MidgasKaus) And what is the vibration level measured in?

Vladimir: I think it's the same thing. That person meant this level, as I understand it.

Irina: (MidgasKaus) So, I'll just repeat for the diary. You know, answer the question when an emotion arises, when you record it, any of these emotions we discussed. What caused it? That is, what is its cause and your sensations. For example, write like this when you have the opportunity. Not stopping right on the road to write: "Wait, I'll stop and write that this person made me angry." When you have the opportunity to write. For example, Sunday, November twentieth – it should be divided into columns. That's how we do it. For example, 3:00 PM – I felt irritation. And write from what. For example, from the fact that the saleswoman gave me expired kefir. Then you ask yourself: "And why did this cause me irritation?" And whatever answer comes to you, you write. Because the saleswoman, in my understanding, should be fulfilling her duties. Monitoring the quality of the products. And then continue. I gave you an example. Write down the sensations, but briefly, so that you later understand what is being discussed.

And this emotion diary is useful to re-read. We re-read it once a month. You can do it more often if you want. When you start reading this, especially about emotions you have long forgotten, you may start having interesting sensations. And you will see that they repeat. You will see a pattern in the appearance of emotions in certain situations; this already speaks about your deep beliefs, attitudes in the mental body, and about the state of your spiritual heart and feelings. If you have predominantly negative reactions, negative emotions, then this will give you a tool to change yourself so that negative emotions, as a reaction, stop appearing.

Vladimir: Yes. Thank you! A brief digression. But it is better, of course, to go through the entire Science of Imagery in all seminars. I will also answer this. You are asking for practice. Friends, today (you might have missed it) the practice of materializing desires was at the very beginning of our meeting. Of course, we will repeat all of that. We have separate meditations related to this. Periodically within the Science of Imagery chat. Be present there, the next one will be soon next Thursday. And I also want to tell Stella, some time has passed in the chat. Thank you for sharing the arrival of the man in the hood at night and convincing everyone that if a man in a hood comes at night and leads you somewhere into the Astral, then it really is a reason to get married. You did the right thing by doing that, and he stopped coming. That is indeed a very correct decision.

It's already a sign that if someone in a hood is leading you somewhere in the Astral, and it's good there with them, then you need to get married in the material world. That's correct. Wonderful. Let's now listen to Dmitry. You are an active participant in the sixth stream. You can turn on your microphone. I will give you the opportunity now. We are listening to you. Yes, please. We're listening. Turn on your microphone.

1:34:31 The Science of Imagery on Esler.

Dmitry: Good evening, everyone! Good to all! I wanted to ask: in the Science of Imagery, does some level of mastery exist? For example, first, second, third. How many classes are needed to comprehend, say, for example, primary school, university, academy. Are there such? And the second question. We used the board of changes, the wish map. Can we use some crystalline structures? Some stones, for example. Could the Chintamani stone change or somehow strengthen our thoughts, desires in the Science of Imagery?

Irina: (MidgasKaus) So, regarding the levels of mastery. If we are talking specifically about the Science of Imagery that exists in the Interstellar Union, integrated into our society, this science begins to be studied within the framework of our school. Its full name, the discipline, is "Imaginative Thinking and Influence on the Material World," taking into account, if translated into Russian, the peculiarities of its perception. That's a long name. That's what it sounds like in Russian; in our language, there are understandable words, roughly like yours.

Vladimir: Understood. That was the answer, right?

Irina: (MidgasKaus) Yes. That is the subject, as it is called with us. With us, it is studied in three cycles of our school. We have three cycles: the initial cycle, the middle cycle, and the final cycle. The Science of Imagery is studied at all levels. In the initial cycle, when children are still small, we study general laws using examples, as you say, of fairy tales, myths, that is, some of our special literary works, using the example of the children's own creativity. We teach them to express their creativity and so on. This includes drawing, writing their own compositions, and analyzing imagery.

In the middle cycle, we begin to analyze a literary work to understand what feelings the reader will experience in the future, to make such a forecast, what images the writer embedded. This is at a more expanded level.

I'm briefly telling you the main points. In the third cycle, a person receives, like this schoolchild, the tools to apply this knowledge in practice. Practices, exercises for achieving some of their specific goals. For example, for finding a partner, for conversing with their Higher Self, for astral travel, for fulfilling their desires. We have specific practices, aimed more at individual work. But with you on Earth, this can be combined, since for us it's for children, you are adults, you can combine it into one course, but there can also be a repeat course specifically for those who have already practiced this in their lives, and who wish, for example, to become a teacher for others.

Vladimir: Thank you!

Dmitry: And about crystalline structures?

Vladimir: About crystalline structures as well.

Dmitry: Can they be used for amplification?

Irina: (MidgasKaus) Yes, of course. Specific symbols, energies, or certain substances do not matter much for learning the Science of Imagery. They are merely tools to strengthen your own imagery for yourself, to believe in it and invest more energy, and to imagine it more clearly.

Dmitry: Thank you!

1:39:19 Images and mass consciousness.

Vladimir: Good, thank you! Mid, here was an interesting question, in my opinion: if some aliens on their planet, for example, on a planet in the capital of the Union of Six, Draco, massively, collectively send some images here to change the situation here in their favor, as they would like?

So, will they influence us this way, or to influence the change of situation with images, does one need to be only in the noosphere of the planet? Our planet, I mean.

Irina: (MidgasKaus) Since images are sent through the Astral, distance plays no role here. Only their vibrations play a role. First – the level of their vibrations. On the negativity-positivity scale. How much their vibrations coincide with the vibrations of earthlings. If they coincide, then their vibrations will be amplified. For example, if many earthlings have the same beliefs, feelings, thoughts as the Order of Six, then what comes through the Astral to us, what thought-forms, they will amplify the already existing qualities of earthlings. That is what influence means in this case.

Vladimir: That is, like attracts like, in short.

Irina: (MidgasKaus) Yes. And second: their strength, their energy, and the strength of the earthlings' energy play a role. If they are energetically weaker, the influence will be faster.

Vladimir: I see, thank you! Natalia, just say directly: "Mid, fulfill my wish." Need it shorter, let's abbreviate. To get the technique for fulfilling wishes, you need to complete the entire Science of Imagery course and do the practices that are there. No shortcuts, that's not how it works. You need to work internally, connecting with the Almighty, and everything will be. Good.

1:41:26 Education on planet Esler.

Vladimir: Mid, tell me, are there representatives of planet Esler who do not undergo training in the Science of Imagery on your planet? Who don't study, failing students.

Irina: (MidgasKaus) Everyone does. It is included in the school curriculum, which is generally mandatory for every citizen of the planet. How successful? We have teachers who seek individually, who not only teach a class but seek an individual approach to the child. Firstly, a group of students in one class cannot be more than seven people. That is, seven people, and if the class is larger, it is divided into smaller ones, and even other schools are opened.

Vladimir: Yes, yes, continue.

Irina: (MidgasKaus) Seven people – that is (according to the calculations of our scientists) the necessary energetic maximum of children, with whose energy fields the teacher will feel comfortable and work productively. It's also about energy exchange. And therefore, we also have an individual approach to each. We generally have a lot of practical lessons at school, including in the Science of Imagery. We begin to discuss, for example, our experience, our families. We give examples from our own lives. Both the teacher and the students can do this. Often the entire lesson takes the form of a conversation, an exchange of opinions.

As for grades, as such we do not have them. Not in numbers. Among us, it is believed that life itself will evaluate the student's knowledge. But we do have so-called credits. These are like your (approximately, a course or exam) credits at the end. The training cycle is divided into several months, in your terms. And there are credits. Credits not in the form of drawing a ticket, as you have, and answering a question, but a credit in the form of a conversation, depending on the subject. If it is a spiritual one, like the Science of Imagery, for example, then the credit might be some creative work. One's own. Or an analysis, for example, of some one's quality. Or something else. And it takes place in the form of a conversation, when the student is alone with the teacher, they meet, they have a certain schedule.

Vladimir: Do you have failing students? Failing students. C students.

Irina: (MidgasKaus) Yes, the teacher meets with the student, and the student begins to show him their work. Answering the teacher's questions, why this was created, and so on. No grade in numbers is given. We consider it meaningless. Numbers give nothing. The assessment is given indirectly, not in the form of a number, but in the form of advice, a teacher's recommendation on what the student should pay attention to. It is usually given in writing, in the form of a few sentences.

Vladimir: Yes. There is an excellent question, I see it above. I will ask this question now. Artyom, you will be next by voice.

1:45:42 Interaction of physical and spiritual structures of a person.

Vladimir: So, the question is this. The structure of the Spirit includes emotions, instincts, thinking, memory, and so on. From a medical point of view, this includes the reptilian brain – instincts, the limbic system – emotions, the cerebral cortex – thinking. Question: does the physical structure coincide with the spiritual one? For example, we already know, Marina was told that the slides that form in our minds, our hypothalamus, apparently, is responsible for some materialization to happen. But they are asking: from this point of view, is there a coincidence between the physical structure and the structure of all our spiritual manifestations? What is responsible for what, in short, on the physical level, if such exists?

Irina: (MidgasKaus) The brain of the physical body, the cerebral cortex in general, is divided into several zones. The cells in each zone are tuned to a certain level of vibrations or, as you say, electromagnetic waves. We say – spiritual vibrations transformed into these waves, but the essence is the same. They are tuned to a certain level of vibrations that helps this area of the brain engage in a particular action. For example, some areas of the brain are responsible for perception, others for memory, and so on.

What does it mean that they are responsible for memory? It means that information in energetic form is pumped into the memory of the Spirit precisely from these cells. The brain itself also has a kind of chemical memory, as you already know. When neurons fire, when electrical signals occur in neurons one after another along a certain neural network, if this neural network is often repeated, then chemical changes occur in these cells, in the neurons. These chemical changes in proteins change their structure. And these changes in protein structure are that very chemical memory, but only that Spirit which is there can use it, its consciousness that reads this information and transmits it already in the form of thoughts specifically to the intellect. Each area of the brain is responsible for a particular process, because otherwise the brain cannot function.

Vladimir: Understood in general terms. Thank you!

Irina: (MidgasKaus) The most interesting... as they say, God loves a trinity.

Vladimir: Questions.

Irina: (MidgasKaus) I congratulate you all!

Vladimir: Yes, three questions.

1:48:52 Prayers to the Theotokos.

Irina: (MidgasKaus) I congratulate you all! Today is the Presentation of the Most Holy Theotokos into the Temple! And now, before the three final questions we will have today, I thank you all for the practice! I now suggest you step away from the questions for a bit. Go within and read a prayer to our dear Theotokos. Close your eyes, repeat mentally. This will help us harmonize, because a lot of time has passed. We need a little spiritual rest. We repeat mentally with full consciousness and Love.

Rejoice, O Virgin Theotokos,
Mary, full of grace, the Lord is with Thee.
Blessed art Thou among women,
and blessed is the fruit of Thy womb,
for Thou hast borne the Savior of our souls.

Pay attention to your sensations. There is another prayer, whose words resonate with the vibrations of the very Spirit of the Theotokos. We repeat mentally.

It is truly right to bless Thee, O Theotokos,
ever-blessed and most pure, and the Mother of our God.
More honorable than the Cherubim, and more glorious beyond compare than the Seraphim,
who without corruption gavest birth to God the Word,
the true Theotokos, we magnify Thee.

Take a breath. Inhale the energy she is sending us. Receive it. We thank and accept! We love and bless! We consciously direct this energy to raise the vibrations of the surrounding space. Open your eyes. Well, what did you feel?

Vladimir: I thank you for this prayer! I really felt a flow of this energy. I don't know about the others. They can express their opinion. They recommended it for good reason.

Irina: (MidgasKaus) Did you feel Her?

Vladimir: I felt the energy, straight to the third eye.

Irina: (MidgasKaus) Yes, a wave, correct. That is Her energy. So, dear friends, we are all now in a state of, indeed, a cloud of care, grace. That's right. You all feel correctly. Your spiritual hearts are tuned to this energy. Yes, the flow.

So, we now choose from the silence of our hearts, from that Light that is now within you, we will now analyze ourselves, our mind, and ask three most important questions. The most important ones, perhaps, for you. And let these questions come from the depths of the heart. What do you think is interesting to know not only for you, but for all participants? We have now merged with you into a single flow and feel each other. I ask you to either say it by voice or write it down.

Vladimir: Artyom, I promised you. If you feel that the moment has come, you can do it.

Artyom: Hello! Can you hear me?

Vladimir: We can hear you.

Irina: (MidgasKaus) Yes, hello.

1:53:18 MidgasKaus about his school years.

Artyom: Hello! Dear MidgasKaus, please tell me, how was your own schooling? I am very interested. Was it difficult, not difficult, or how? What difficulties were there? Please share.

Irina: (MidgasKaus) His schooling?

Artyom: Yes. Mid's own.

Irina: (MidgasKaus) Yes, indeed, I loved to study very much and I really liked the teacher's attitude. We had a main teacher, whom you call the class leader. And there were subject teachers who came to impart knowledge. But I really liked the presentation in a simple form. I liked the many practical classes and meditations. I also liked that my parents prepared me for school. And when I came home, I told them about what happened there. And we would sit together at the table and share our school stories with each other. At that time, I already paid attention to the Cosmos, to those civilizations that exist among the stars. I always wanted to visit cosmic worlds. And already at that time I knew that this future variant would definitely materialize. You would probably call this knowledge of mine faith. But in my Spirit, I was completely sure of it.

Artyom: Thank you very much!

Vladimir: So, we have people who just joined Zoom. Very timely, just in time for the beginning. Good. Look, Natalia is stubbornly insisting that we give her the materialization technique right now. Natalia, the entire materialization technique consists of three seminars; today is our fourth on the Science of Imagery. Take the course. Enough insisting that you be given the materialization technique right now. This is the Science of Imagery course. It has to be completed entirely.

Irina: (MidgasKaus) Yes.

Vladimir: It's not an emoji you can see and understand everything. No. You need to take the course.

Irina: Yes. This knowledge is given in the course. Thank you! So, the second question. Who wants to ask?

1:55:56 Manifestation of instincts in the Spiritual World.

Vladimir: Now I will still read it. A question that, in my opinion, is interesting from the chat. Instincts are an integral part of an intelligent Spirit. Their manifestations in the material world are understandable to us. Good, but what is not entirely clear to me, for example. How do they manifest in the Kingdom of God, in the Spiritual World? The Spirit has a spiritual body, and somehow all these qualities of the Spirit, instincts in particular, manifest there, right? Instincts in the Spiritual World.

Irina: (MidgasKaus) Instincts remain after incarnation. Specifically instincts, as a program of life and development in the body. They are read by the Spirit from the body's DNA and after departing to the Spiritual World remain in the form of what we call a seal on the heart. This is a special energy, but it practically no longer affects the Spirit, because there is no body that reacts to these energies. That would secrete certain hormones and so on. Simply in the form of memories. But there are no longer such urges, for example, as self-preservation, reproduction. Here all that remains simply in the form of memories. But there is no longer that urge, specifically physical.

Vladimir: In general terms, it's clear. Thank you! Let's give another person who has been waiting a long time a chance to ask. Vitaly, it's you. You can turn on your microphone. If you feel your question is important for everyone, please.

1:57:35 Protection from negativity.

Vitaly: Thank you! I still have a clarification on safety – you cannot harm people using the Science of Imagery. That exists in runic magic, for example, for me too. And with the help of the Science of Imagery, such protections are set. That is, if someone starts attacking you, then this runic stave, together with the images, starts working against that person. If it is done for defense, does it harm the one who set up such a defense? On themselves or someone else.

Irina: (MidgasKaus) Good question. It's clear. If a magical defense is set up, that is, in the form of a thought-form, you call it magic, we unofficially call magic the physics of the astral world. For you, this science is esoteric; for us, it is the science of how to act in the astral world. Why in the astral? Because it is the closest to the material, and magical methods are created not simply for protection as a reflection of some negative influences. There are such magical practices, magical influences on someone, which are the same evil as that caused by another person. It is created with the purpose of not defending oneself. For example, I set up a protection for myself against negative thought-forms directed at the head area. So that the one who wishes me a headache gets brain cancer.

Vitaly: Ah, well, that's... uh-huh.

Irina: (MidgasKaus) That protection is also an attack.

Vitaly: Understood. But if, let him have a headache, then that's normal.

Irina: (MidgasKaus) If may the energy he sent me transform into Light and return to its creator, and increase awareness in him, then that is normal protection.

2:00:01 Hypnosis techniques.

Vitaly: That's very deep. And another question about hypnosis. I practice hypnosis a little, I was told – contactee information – that one should not practice it, because there are dark hypnosis techniques and there are light ones. Are there any divisions among you into dark and light techniques?

Irina: (MidgasKaus) There are no dark and light techniques. They don't exist. There are no dark and light ones that kill and heal.

Vitaly: Ah, but let me clarify. There are hypnosis techniques and hypnotists who are patronized by demons, for example, from the sixth level and below.

Irina: (MidgasKaus) If he is patronized by a Demon, he can turn any, even the brightest, technique into darkness. It's a matter of the importance of his goals. Similarly, any instrument that was originally created specifically for evil, for example, a weapon. If you remember, there is a saying in the Bible: "Beat your swords into plowshares." What does that mean? We call evil that which contradicts life, that contradicts Love.

That is evil, as a profession. So, everything that was created for these purposes also had energy spent on it. And, by the way, Divine energy. They took a part of Divine energy, created from it a substance, an element, or some idea that carries the destruction of itself. If approached consciously, the same energy can be redirected for the purposes of good and Light. It will then serve its true purpose, because all Divine energy is given to us so that we can incarnate in that part of Divine energy that constitutes the material world. So that we can incarnate, so that we can be happier, specifically in the flow of creation, in the flow of creativity. That is what makes us like God, an absolutely happy and loving being.

Vitaly: Understood. Thank you very much!

2:02:32 Technique for protection from negativity.

Vladimir: I want to ask Mid: can you give some very simple technique for protection from everything bad? People want it fast and right now. And then we'll say goodbye, if yes. If not, then next time.

Irina: (MidgasKaus) Yes, of course. The simplest protection technique that does not require great skills in visualization or creating images.

The first condition for this protection to be successful is trust in God. Trust in oneself as a part of God. Faith in oneself. Second, you protect yourself from something that could harm you in order to improve the quality of passing through your incarnation, to spend less energy in the future. In general, the word "protection" itself is not quite appropriate here. We usually use the word "prevention." For example, you take certain measures in the cold when you put on warm clothes before going out into the frost. But you do this not so much out of fear of the frost, but for your own comfort. These are preventive measures that we take to pass through this incarnation qualitatively. So, what can we do?

If you feel that you need protection, that you are weakened, although there are people who feel no images at all, they protect themselves automatically. Especially those with strong faith in themselves simply won't even feel any attacks. If self-belief is weak, then you need to pay attention to this and create a special image that will help you. Sit in a meditation posture, preferably do this after you wake up, you need to read the attunement of planet Burhad. The ability of your thoughts to create images, that is, the ability to create thought-forms, will raise your vibrations. Imagine a white ball – your spiritual heart.

And then you begin to direct energy with your breath. On inhalations and exhalations, imagine that on the inhalation it expands, and on the exhalation the ball begins to shine brighter, as you do with the light body. Only your goal here is not flight, not that it goes beyond the physical. Imagine that it is perfectly round, like a sphere, shining with a bright white light. And it covers your entire body from all sides. Its outer edge is below your feet, above your head, and at a distance of about two meters from the surface of your body on all sides. And imagine that this sphere is rotating in any direction convenient for you. It doesn't matter.

Then pay attention to its top and imagine that a waterfall is flowing into this sphere from above, a flow of energy that streams down over it, not droplets, but strengthens it, that this flow comes from the Spiritual World. You will probably find it easier to feel this than for me to explain to Irina right now. But in any case, you will feel this flow passing through the sphere and strengthening it with each inhale and exhale. Then tell yourself that this protection will stay with you, for example, for twenty-four hours. And thank your Higher Self for the energies. This sphere will actually be created. And nothing that contradicts your vibrations will pass through it. Why is such protection needed if nothing would pass through anyway? Precisely to believe in it completely and not let anything through.

Vladimir: An excellent technique! We were asked to give a short technique, and we gave it. Once again, huge gratitude! Friends, I thank you all as well! Let's release Irina now. I also thank you all for your presence! We would be grateful for your financial gifts. No one in the material world has canceled financial energy as part of energy in general. But I also want to tell you honestly, frankly, this will be important, I say without any hypocrisy, because if you feel that you are giving, expressing gratitude and giving, including financial energy, then it loops back to you in a good way.

That's all. I am the Universe, the Universe is Me. Without any hypocrisy, sanctimony, or anything else. Don't forget about it. You yourselves assess the value of the knowledge that is being transmitted to you now and the practices that were today. Please come on Tuesday to the next stream of the Science of Imagery course. Registration is in the Science of Imagery chat. In the group on Telegram. There are links everywhere. I thank you, I love you! I look forward to seeing you in all our classes and practices. Ira, huge gratitude! Mid, huge gratitude and appreciation! Can we say anything else from ourselves, and then we'll say goodbye.

Irina: I thank you all, dear friends, for being alive, for existing! I thank you for your participation in the "Cassiopiea" project! I thank our dear Vladimir for his enormous volunteer work! For his journey to the Higher Self of every Soul he helps to connect with the Light. I thank on behalf of all the Souls who have passed and will pass in the future! I also thank each of you for your moral, spiritual, and material support of the "Cassiopiea" project, of myself personally, of all our masters! Of all our volunteers, of all our people. I thank you for your support of your family and friends! For every kind word you say to someone. It raises the vibrations of our entire planet and brings closer a bright future, and I send you the Light of my Love!

Vladimir: Thank you very much, Ira and Mid! We had a full-fledged open seminar. Exactly two and a half hours, as it should be. I think it was very important, useful, and significant for everyone present. I thank you all! Until we meet again on air! All the best!

January 25, 2022

Participants:

Irina Podzorova – contactee with extraterrestrial civilizations;
Vladimir Goldstein – journalist and administrator of the Facebook group, assistant to the head of the "Cassiopiea" project;
MidgasKaus – representative of the planet Esler, biologist, psychologist, microbiologist, specialist in extraterrestrial life forms.