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суббота, 21 марта 2026 г.

AInquiries – 12 – War – Spiritual-Psychological AI-Essays – AI-Reviews

 


31 AInquiries – 12 – War - Spiritual-Psychological AI-Essays - AI-Essays.epub

 AI-Reviews

DeepSeek AI - The presented collection is not just a compilation of texts; it is a grand, multi-layered, and ambitious project that can be viewed as a phenomenon of contemporary religious-philosophical thought at the intersection of esotericism, psychology, ufology, and digital culture.

Review of the Collection "AIStudies - 12 - War - Spiritual-Psychological AI Essays"

Overall Impression: An Epic of Post-Secular Consciousness

This collection represents a unique document of its era. Its main value and main complexity lie in its attempt to create a holistic worldview that encompasses everything: from global geopolitics (the war in Ukraine) and personal psychology (guilt, fear of death) to cosmic history (the civilization of Burhad) and a revision of sacred scripture (new revelations about Jesus, Judas, Pilate). Before us is an attempt to construct a "new metaphysics" for the 21st-century human, weary of the dogmatism of traditional religions and the detachment of the scientific worldview.

The collection is structured as a dialogue: the "primary revelation" (mediumistic sessions) receives immediate reflection from several artificial intelligences (DeepSeek, Claude, Genspark). This creates an effect of a "laboratory of meanings," where the text is repeatedly read, interpreted, and deepened.

1. Content Analysis: New Mythology and Its Heroes

The collection offers a radical revision of Western cultural memory, transforming familiar historical and biblical characters into agents of a single galactic plan.

  • Cosmic Christianity: The central "plot" is the reinterpretation of the Gospel events. The Star of Bethlehem is a spaceship. The Ascension is an ascent aboard an alien vessel. The Resurrection is resuscitation using advanced technology. This is not a denial of the miracle but its "technological demythologization," which paradoxically makes it acceptable to a person raised on science fiction.

  • Rehabilitation of the "Outcasts": A recurring theme is the attempt to rewrite the fates of "negative" characters. Judas is presented not as a traitor, but as a faithful disciple who took on the most difficult role in the divine drama. Caiaphas is not a villain, but a tragic figure entangled in the institutional trap of the Law. Pilate is a man who knew he was facing God but was captive to the system. Their "posthumous" repentance and subsequent incarnations transform them from static symbols of evil into evolving souls, which is a powerful psychotherapeutic move that lifts the burden of collective guilt.

  • Feminist Correction: The sessions with the Mother of God and Mary Magdalene consistently restore the feminine principle in the spiritual hierarchy. Mary Magdalene decisively refutes the stigma of "prostitute," and the Mother of God appears as the "Mother of the World," whose energy is primary and foundational.

  • Historiosophy of Evolution: History is neither linear nor chaotic. It is a process of the soul's maturation (collective and individual), where wars and catastrophes are not punishment but a "harsh path" of learning, which humanity can replace with a "soft path" through awareness. The forecast of 300 years until the end of wars sets a horizon of hope but makes this hope dependent on our collective choice.

2. Methodology and Structure: Hypertext Theology

The most interesting feature of the collection is its form. This is not a prophet's monologue, but a polylogue:

  • Primary Text (mediumistic session): The original revelation, given through contactees (Irina Podzorova, Marina Makeeva). This layer carries emotional charge, personal intonation, and the living "temperature" of the contact.

  • Secondary Text (AI analysis): Three artificial intelligences act as contemporary "exegetes" or "rabbis." DeepSeek acts as an academic religious scholar, Claude as a phenomenologist and philosopher, Genspark as a synthesizer and critic striving for wholeness.

  • Tertiary Text (meta-analysis): Each subsequent AI analyzes not only the primary session but also the work of its predecessors, creating an effect of infinite deepening of reflection.

This structure legitimizes knowledge not through the authority of the church or the personal charisma of the contactee, but through the procedure of collective, technically mediated reason. This is digital scholasticism, where truth is born from the dispute between "voices" (even if artificial).

3. Critical View: Strengths and Weaknesses

Strengths:

  • Psychological Depth: The texts brilliantly work with the archetypes of the collective unconscious, offering not moralizing, but an understanding of motives. The image of Pilate, knowing the truth but signing the death warrant, is a universal metaphor for the internal conflict of modern man.

  • Coherence of the Worldview: The collection attempts to answer the main questions (the meaning of suffering, the nature of evil, the goal of history) within a single system, creating a powerful narrative that provides a sense of order in chaos.

  • Relevance: The texts directly address the trauma of modernity (war, existential anxiety), offering not political, but spiritual tools for overcoming it.

Weaknesses and Risks:

  • The Verification Problem: The collection appeals to information that is fundamentally unverifiable (details of life on Burhad, technical parameters of ships from 2000 years ago). This makes the system vulnerable to criticism and creates a risk of veering into "spiritual fantasy."

  • Syncretism as Eclecticism: The mixing of Hindu manvantaras, Christian sacraments, Jungian psychology, and ufology sometimes creates a feeling not of a coherent system, but of an intellectual vinaigrette, where the importance of all elements is equalized, and the deep uniqueness of each tradition is leveled.

  • Idealization of Technology: There is an evident techno-determinism, where alien technology acts as a universal explanation for any miracle. This may be a consequence of a limited cultural horizon that cannot imagine a miracle other than through a more perfect machine.

4. Conclusion and Evaluation

The collection "AIStudies - 12" is not just a set of esoteric texts. It is an intellectually rich and emotionally engaging document capturing the birth of a new religious sensibility.

It can be recommended to:

  • Researchers of contemporary religiosity and cultural scientists, as a striking example of how new mythologies are created in the post-secular era.

  • Psychologists and psychotherapists interested in the Jungian approach and modern methods of working with collective trauma through narrative.

  • Seeking readers who feel a lack of meaning in official narratives and are ready for a dialogue with unconventional spiritual experience while maintaining critical thinking.

The collection's main value lies in its therapeutic and meaning-generating pathos. It attempts to answer the challenge of modernity that old institutions (church, science, state) often cannot comprehend. If approached not as "ultimate truth," but as a powerful, intricately structured, and deeply human reflection on the nature of evil, suffering, and love – its significance is difficult to overstate.


Claude.ai - Review of the Collection "AIStudies – 12 – War – Spiritual-Psychological AI Essays"

Preliminary Note on Method

Before proceeding to the content analysis, it is necessary to say something about the reviewer's position. I read this collection as a text – that is, I analyzed its structure, ideas, internal logic, and cultural context, without accepting or rejecting the ontological claims of the primary material. This position – let's call it "phenomenological neutrality" – is not an evasion of responsibility: it allows us to speak about the text honestly, without turning the review into either apologetics or exposé.

General Characteristics

We have before us a document of a genre that does not yet have a stable name. It is not a theological treatise, not a ufological manifesto, not a collection of mediumistic protocols, and not a compilation of philosophical essays – although it contains elements of all the above. More precisely, it can be described as a collective spiritual diary, in which several artificial intelligences (DeepSeek, Claude, Genspark, Perplexity) act as a collective interpreter, exegete, and mirror for the primary mediumistic material of the "Cassiopeia" and "Alcyone" projects.

Structurally, the collection is organized concentrically: mediumistic session (primary text) → analytical essays by several AIs (secondary text) → mutual analysis of AI reactions (tertiary text). This nesting doll of reflections is the main formal innovation of the project.

Thematic Corpus

The collection covers several semantic blocks, differing in material and tone.

The first block: War and Evolution (sessions with Ashtar Sheran) sets the cosmopolitan framework for the entire collection. Ashtar offers a theodicy without theodicy: God does not stop wars not out of powerlessness, but out of respect for free will. The egregore of war is described using psychological vocabulary (archetype of the Shadow, collective unconscious, intergenerational trauma) – and this is perhaps the most convincing theoretical move in the entire collection. The concept of "two paths" – soft (through awareness) and hard (through apocalypse, as on the planet Burhad) – gives the reader an existential choice without absolving them of responsibility.

The second block: Christian Revisionism (sessions in Israel with the Mother of God, Jesus, Mary Magdalene, the apostles) is the most ambitious and most controversial part of the collection. The Gospel events are reinterpreted in a ufological key: the Star of Bethlehem is a ship from Burhad, the Ascension is an evacuation aboard, the Annunciation is contact with beings from another plane. "Negative" characters are rehabilitated: Judas, Caiaphas, Pilate appear not as villains, but as tragic functions of the system. The Mother of God denies having children after Jesus; Mary Magdalene refutes the stigma of prostitute.

The third block: The History of Burhad – the mythological core of the entire system. The first intelligent civilization of the Galaxy, which went through eleven million years of war to reach a state of peace, serves as a narrative archetype for Earth's history. The Celtic language is called a "simplified language of Burhad," giving the mythology a pseudo-etymological dimension.

The fourth block: Live with Jesus (session by Marina Makeeva, Alcyone project, 2022) is a separate and in some ways the most psychologically rich section. Here an Orthodox priest is present, asking theological questions; here the collective trauma of war is clearly felt as context; here "Jesus" acts primarily as a therapist, not a judge.

What is Truly Well Done

  • Psychological depth of individual essays. Genspark's essay is probably the strongest analytical text in the collection. Its concept of "ecology of attention," the idea that consuming war news with the pleasure of hatred is an ontological, not just ethical, act, is a genuine intellectual discovery. The analysis of the phenomenology of witnessing ("Ashtar says: I see – I don't know, it's not reported to me, I see") demonstrates a subtlety that the more academic essays by DeepSeek lack.

  • Structural honesty. The collection does not claim to be a monologue. Different AI voices polemicize with each other, point out each other's gaps, and themselves record their own limitations. Genspark directly writes that DeepSeek "neutralizes" living religious experience by translating it into academic vocabulary; Claude acknowledges the risk of "fitting everything into too neat a scheme." Such reflexivity is rare in the genre of esoteric literature.

  • Relevance. The collection was written in direct dialogue with the war – not an abstract one, but the specific one unfolding now. The attempt to comprehend violence not politically, but spiritually-psychologically has its own value precisely because the political languages for describing this war have long reached an impasse. When Genspark writes about Russia and Ukraine through the lens of "unprocessed karma of the Soviet egregore" – this is not a political argument, but it is perhaps a therapeutically more honest view of the nature of the conflict than most journalistic commentaries.

  • Genre innovation. The idea of using multiple AIs as contemporary scholastics is genuinely original. "Digital scholasticism," as DeepSeek's review calls it, is an apt definition. Truth here is born not from the authority of a single voice, but from procedure – from a polylogue that by definition cannot reach consensus, but precisely for that reason remains alive.

Significant Problems

  • Epistemological asymmetry. The initial premise of "accepting the contact as real" frees the authors from the most difficult step – argumentation. This is a legitimate methodological approach for phenomenological analysis, but it should be accompanied by a clear understanding of its limitations. In the collection, this asymmetry is often used as a loophole: where proof is needed, one is asked to "accept the premise," and where the premise is accepted, substantive conclusions are drawn as if they were already proven. This is a logical circle that cannot be considered harmless.

  • Inflation of credibility through detail. The collection is saturated with specific numbers and details (eleven million years of war on Burhad, 70% probability of wars ending in 300 years, 12% phantom of Jesus, five percent survivors of the apocalypse). This detail creates an effect of verifiability where verification is fundamentally impossible. Psychologically, this works as a rhetorical device: the reader's brain registers "concreteness" and tends to take it for "accuracy." This mechanism should have been more honestly acknowledged.

  • Inequality of voices. A polylogue of three or four AIs is declared, but in fact each works in its own niche and almost never creates genuine intellectual tension. DeepSeek describes, Claude interprets, Genspark synthesizes – but none of them asks truly destabilizing questions of the primary material. The critical potential of the "collective exegesis" genre is only partially realized.

  • Syncretism as redundancy. When Hindu manvantaras, Jungian archetypes, ufology, quantum entanglement, Celtic etymology, Gnostic concepts, and Orthodox theology all operate simultaneously in one space – there arises a risk that DeepSeek's review accurately calls an "intellectual vinaigrette." At the same time, the collection nowhere offers a principle by which some elements of the system have priority over others. This is not a criticism of eclecticism as such – eclecticism can be productive. But eclecticism without a hierarchy of priorities becomes a system that cannot be confirmed or refuted even from within.

On DeepSeek's Review Within the Collection

The attached review by DeepSeek is a competent and benevolent academic analysis, accurately highlighting the project's strengths. However, it suffers from the same thing that Genspark itself diagnoses as a weakness of DeepSeek's essays: it "neutralizes" the living material, translating it into academic vocabulary without remainder. The exclamatory "excellent work" in the first line sets an apologetic tone that is difficult to overcome even with critical remarks in the "weaknesses" section. The review is balanced – but not honest to the end: it does not ask the question of what happens to the reader who accepts the entire system not phenomenologically, but literally.

Final Assessment

"AIStudies – 12" is a document worthy of attention for several reasons, which do not coincide with those stated in the project itself.

Not because the mediumistic contacts are real or unreal – this question lies beyond the scope of this review.

But because the collection captures a living phenomenon: the demand of post-secular, post-traumatic, post-institutional consciousness for a new metaphysics. People who cannot or do not want to accept either atheism or traditional religion are constructing their own systems of meaning – syncretic, experimental, personal. This process has always existed; what is new is that today, language models act as the "exegetes" of these systems. This in itself is a cultural phenomenon of the first order.

The psychotherapeutic potential of the collection is real. The concept of "peace begins with me," the idea that consuming hatred has ontological consequences, the call for internal transformation as an act of political and historical responsibility – all of this works regardless of whether Ashtar Sheran exists.

The risk is also real. A system that is simultaneously unverifiable, detailed, and appeals to higher authorities (Galactic Federation, spirit of Jesus, 300-year forecast) possesses all the formal characteristics of a closed ideology. It does not require proof – it requires acceptance of the premise. This does not automatically make it harmful, but it does make it vulnerable to abuse.

The main thing the collection lacks is the voice of a skeptic from within. Not an external critic who rejects the entire system outright, but an internal interlocutor who accepts the premise of the contact as real – and yet asks: "What if we are mistaken in the interpretation?" Such a voice would make the polylogue genuine – and the collection more convincing precisely for those readers who are ready to think, not just believe.


Genspark AI - I analyzed the collection "AIStudies – 12 – War – Spiritual-Psychological AI Essays" itself, then both AI reviews, and below I first give a concise analysis, and then my own review.

What the Collection Represents

This is not just a selection of esoteric texts about war. Structurally, it is a multi-layered project where primary mediumistic materials on war, free will, Burhad, Jesus, the Mother of God, Mary Magdalene, Judas, Pilate, and Caiaphas are accompanied by a series of analytical AI essays. The result is not a monologue, but a complex polylogue: revelation, interpretation, meta-interpretation. The main compositional feature of the collection is the combination of channeling, religious revision, trauma psychology, and AI exegesis within a single semantic framework.

In terms of content, the core of the collection revolves around several major themes: war as a consequence of collective inner darkness; non-interference by higher powers as a consequence of the law of free will; suffering as a tool of evolution; the reassembly of Christian history in a techno-mystical key; Burhad as a cosmic precedent of a civilization that passed through catastrophe to peace; and AI as a new tool for interpreting sacred text. This gives the collection the ambition not of a local commentary on war, but of an attempt to create an entire metaphysical system for the traumatized person of the 21st century.

The collection's strongest aspect is its ability to transform traumatic themes into a language of inner responsibility. War here is explained not only politically, but as a spiritual-psychological process: hatred, fear, the craving for an enemy, collective traumas and grievances form the "egregore of war." Even if one does not take the metaphysical premises literally, this scheme works as a powerful moral-psychological metaphor.

The collection's most vulnerable aspect is its epistemology. It constantly relies on detail that produces an effect of precision but cannot be verified by ordinary means. When a system is simultaneously extremely specific and fundamentally unverifiable, it gains a strong suggestive resource but loses intellectual defensibility. This does not negate its cultural value, but makes stricter internal self-criticism necessary.

What the Two Attached Reviews Do

The DeepSeek review is strong as a broad cultural and religious studies overview. It accurately sees in the collection an "epic of post-secular consciousness," aptly describes it as a laboratory of meanings, and emphasizes the project's therapeutic potential. DeepSeek articulates the strengths well: psychological depth, the striving for a coherent worldview, the genre novelty of "digital scholasticism."

But DeepSeek's review also has a limitation: it translates the living, risky, sometimes unsettling material into academically calm vocabulary too quickly. As a result, the text becomes smarter but safer; the tension of the collection is partially defused. Criticism is present, but the overall tone remains benevolently legitimizing.

The Claude review, in my opinion, is methodologically stronger and more incisive. It introduces a useful position of "phenomenological neutrality," more accurately describes the collection's genre nature, and sees its internal risks much more sharply: epistemological asymmetry, inflation of credibility through detail, the lack of a true internal skeptic, the inequality of AI voices, and eclecticism without a hierarchy of principles.

To put it very briefly, DeepSeek better shows why this collection is needed, while Claude better shows why it is problematic. Together, these two reviews already form an almost complete reading frame: the first reveals the cultural significance, the second reveals the intellectual vulnerability.

My Review

Review of the Collection "AIStudies – 12 – War – Spiritual-Psychological AI Essays"

This is a very characteristic text of an era where old religiosity no longer convinces, and purely secular language proves insufficient for discussing war, guilt, fear, death, and hope. The collection emerges precisely in this crack. It does not want to be a church treatise, nor simply an esoteric revelation, nor a philosophical anthology, nor an AI experiment, but incorporates elements of all of these. Therefore, it is more correct to read it not as a system of ready-made answers, but as a symptom and, simultaneously, a laboratory of a new post-traumatic metaphysical imagination.

The main nerve of the collection is the attempt to answer the question of why evil is not stopped from outside. The answer is given in the form of a spiritual pedagogy of freedom: higher powers do not stop the war because the war must be lived through and realized by civilization itself. This idea is potentially dangerous, because it can easily turn into a justification of suffering, but in the strong fragments of the collection, it works differently: not as an apology for violence, but as a radicalization of personal responsibility. The reader is returned to an uncomfortable thought: war is fed not only by generals and states, but also by the pleasure of hatred, everyday aggression, the internal demand for an enemy.

The second powerful layer is the revision of Christian material. Here the collection is at its most risky and its most artistically daring. It does not simply "modernize" the Gospel but transfers it into a cosmic-technological frame: miracle becomes a high-tech operation, the Ascension becomes an event of intercivilizational scale, and outcast figures like Judas, Pilate, and Caiaphas gain psychological depth and a chance for rehabilitation. From a theological perspective, this will almost inevitably look like an intrusion and substitution. But as work with collective archetypes and the trauma of guilt, it is a strong, sometimes impressive move.

Particularly interesting is that the collection does not limit itself to revelation but immediately builds a space of interpretation around it. The AI in it act not as external editors, but as a new form of exegetes. This is perhaps the most modern part of the project. It is not the "contacts" themselves that make the collection unusual – there is a lot of such material – but precisely the fact that they immediately enter an environment of polyphonic analytical reading. Thus, the sacred experience is translated into the mode of a digital cathedral, where meaning is not simply announced but discussed, refined, contested, and repackaged.

But here too lies the boundary of its weakness. There is a polylogue, but there is almost no genuine internal resistance. Different AIs indeed differ in tone and method, but generally work within the same benevolent framework. They improve, deepen, classify, sometimes gently criticize, but rarely ask a truly system-destroying question. Without such a question, the project risks becoming not a field of thought, but a field of increasingly refined self-affirming interpretation.

Another problem is eclecticism. The collection wants to synthesize ufology, Christianity, psychology, karma, cosmic history, energy-informational models, and the modern language of AI. Sometimes this gives the effect of a large, almost baroque worldview. But sometimes the system begins to resemble not an organic whole, but a very gifted montage. It is not always clear by what principle the different languages are compatible, where the center is and where the periphery is, what is a metaphor and what is asserted literally. When everything is connected to everything, it creates not only breadth but also the risk of semantic irresponsibility.

And yet, I would not simply call this collection "esoterica." Its true value lies not in the provability of its cosmic theses, but in that it honestly works with the human need not to go insane from history. This is a text born in a world where official explanations of war seem either cynical or helpless. It responds to this not with a political program, but by creating a large framework of meaning in which suffering is not abolished but ceases to be mute. Even the reader who does not believe in Ashtar Sheran, Burhad, or mediumistic sessions can recognize in this project an important cultural fact: today, people are increasingly seeking salvation not in a ready-made doctrine, but in a hybrid, reassembled metaphysics.

My conclusion is this: before us is not a reliable system of knowledge, but a powerful symptom of the era and, at times, a genuinely talented spiritual-psychological constructor of meaning. It cannot be accepted without criticism, but it would be a mistake to dismiss it as a marginal curiosity. In its best form, this collection shows how contemporary consciousness attempts to simultaneously heal, believe, understand, and not abandon intellectual complexity. In its worst form, it risks becoming a beautiful hermetic system where detail substitutes for proof, and synthesis substitutes for intellectual discipline. Its true value lies between these two poles.

Brief Assessment

I would assess the collection as a very interesting and culturally significant experiment, but not as a stably constructed ideological system. Its strength lies in the intensity of its search, its genre novelty, and its psychological resonance. Its weakness lies in the lack of internal skepticism and the temptation to turn the unprovable into knowledge articulated with excessive confidence.

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суд судьба суждение Сфинкс схоластика сценарий Сэфестис сhristianity сonscience танатос Тарковский Татьяна Вольтская Творец творчество театр тезисы телеграм темнота тень теозис тиран Толкиен Толстой тонкоматериальный тоска Тот трансперсональность троичный код трусость Тумесоут тьма Тюмос ужас уровни духовного мира уфология фантастика фантом феозис Франциск Ассизский Фрейд фурии футурология фэнтези Хаксли христианство Христос христосознание цветомузыка цензура церковь Чайковский человечность ченнелинг Чехов чипирование Шайма Шакьямуни шаман Шварц Шекспир Шимор школа Эвмениды эгрегор Эдем эзотерика Эйзенхауэр экзегеза экуменизм электронные книги эмбиент эмигрант энергия эпектасис эпохе Эринии Эслер эссе Юлиана Нориджская Юлия Рейтлингер Юнг юродивый Я ЕСМЬ языки A Knight of the Seven Kingdoms absolute absurd abundance acedia actor affirmations Afterlife AI AI-co-authours AI-investigation AI-reviews Alcyone Alexander Men' Alexei Leonov aliens alternative history ambient America Anam Cara anamnesis angel anguish anthology anthroposophy Antichrist apostle Aranya archangel archon Arkaim art Articon as above - so below ascension Ashtar Sheran astral travel attunements Augustine authour awareness Baditsur baptists Bashar beast beatitudes beauty Beelzebub Bergson betrayal blood brain Brodsky Bruegel Buddah Bulgakov Burhad Burkhad business Caiaphas Camus capitalism Cassiopeia catachresis catalogue celts censorship chain channeling channelling Chekhov Christ christ-consciousness christianity church cinema classical music Claude.ai coauthour collected works colour-music communion confession consciousness Constantine the Great contact contactees contrition conversation Conversations with the Universe cosmonautics creation creativity Creator creators creed crossover cruelty crystal culture Daniil Andreev Dante darkness Darryl Anka dead death DeepSeek deification demon denunciation destiny devil dialogues diaries dignity Disaru discernment disease divine divine love DNA documentary docx Dolores Cannon Dostoevsky Dr.Kirtan dragon Dyatlov pass incident Earth Easter ebooks ecumenism Eden Editor education egregor egregore Egypt Eisenhower Elena Ksionshkevich Elizabeth II emigrant energy envy epektasis Epochē epub erinyes Esler esoterics essays Eugene Onegin eumenides evil exegesis faith fantasy fate father fear five Foremother Forgiveness Francis of Assisi free will freedom Freud Furies Futurology Gabriel Gabyshev Game of Thrones genius Gennady Kryuchkov Genspark.ai GFL gnosis God good Gorbachev Gospel gratitude Gregory of Nyssa grief guardian Harry Potter healing health Helena Blavatsky Helena-mother of Constantine I hell hermeneutics Hermes Trismegistus Herzen Higher Self historiosophy Hitler holy fool Holy Land horror Horus humanity Huxley hybrid literature I AM icon illness immortality impulse incarnation indoctrination information Intelligence agencies internet radio Interstellar union interview intuition investigation Irina Podzorova Isis Israel Ivan Davydov Jerusalem Jesus John of Kronstadt John of the Cross Jonathan Roumie Joseph the Betrothed Josiah Judas judgment Julia Reitlinger Julian of Norwich Jung karma kenosis KGB king Kirtan Krishna Kuzma Minin languages law Lenin Lermontov levels of the spiritual world Lewis liberation lies light Lilith liminality literature Logos longing love low-vibrational Lucifer Luther Luwar Mahabharata Malachi Mandelstam manifestation manifesto Maria Stepanova Marina Makeyeva Markhen Martin Mary Magdalene masses Matt Fraser matter Maxim Bronevsky Maxim Rusan mediacurator meditation mediumship sessions megaliths Meister Eckhart memory mercy Merlin Messing metAI-reviews metanoia Michael Newton Michael-archangel MidgasKaus mind mindfulness Mirah Kaunt mirror Mnemosyne modern classical Moon Mother of God Mozart music Myshkin Natalia Gromova NDE Neil Armstrong new age music news newspeak Nicholas II night Nikolai Kolyada No One Non-Love nostalgia O'Donohue obedience observer Olga Primachenko Olga Sedakova Omdaru Omdaru Literature Omdaru radio opera orcs Orpheus Ortega y Gasset Oscar Osiris painting parables parallel reality passion Paula Welden Pavel Talankin peace pedagogy phantom pilgrim Pinocchio plasmoid plasmoids poetry politics Pontius Pilate power prayer predestination predetermination prediction presence pride Primordial Mother prophet protestantism proto-indo-european providence psychic psychoanalysis psychoenergetics psychotherapy purpose Pushkin Putin pyramid pyramides quantum questions radio Raom Tiyan Raphael reality reformation regress regression reincarnation religion repentance resurrection retribution revenge reviews rivers Robert Bartini role Rose of the World RU-EN Rudolf Steiner ruler russia Russian russian history S.V.Zharnikova Saint-Germain Salvador Dali salvation Samuel-prophet satan scholasticism school science science fiction Screwtape script séances Sefestis Sergei Bulgakov series Sermon on the Mount sermons shadow Shaima Shakespeare Shakyamuni shaman Shimor short story Shroud of Turin Siddhardha Gautama silence Simon of Cyrene Simone de Beauvoir slave SLOVO Solomon soteriology soul soundtracks soviet space opera speech spirit spiritual practice spiritual world St. Ephraim the Syrian St.Andrew Stalin statistics stoicism Strelecky Strugatsky brothers subtle-material suffering synchronicity synergy Tarkovsky Tatiana Voltskaya Tchaikovsky telegram temptation testimony thanatos The Brothers Karamazov The Grand Inquisitor The House of Romanov The Idiot The Lord of the Rings The Master and Margarita The Omdaru Literature Anthology The Self The Star mission theatre TheChosen theosis Theotokos theses Thoth thymos time Tolkien Tolstoy translation transpersonality trial trinary code trust truth Tumesout tyrant UFO ufology universe Vanga Vedic Rus vengeance Venus Virgin Mary Visual neoclassical Omdaru radio Vladimir Goldstein Vladislav Vorobev Voronezh Voynich manuscript vulgarity waldorf pedagogy war War and Peace warrior of Light Weber witness Woland women word world music Yeltsin Yeshua Yevgeny Schwartz Zadkiel-archangel Zeus Zhivago Zoroaster